Friday, September 02, 2016

Do You Know: The origin of the stole

The stole was first known as orarium a term derived from the Latin oro or "to pray." The change in name from orarion to stola took place in the ninth century but it wasn't until the 12th century that the new name "stole" became generally used. By the 16th century the stole had become a badge of the bishops, priest and deacons each of whom wore it over the shoulder in their own distinctive way.

The orarium was originally nine or ten feel long and a uniform two to three inches wide. We often worry about clergy that order Carrot Top Studio stoles that seem to be really long for fear that they'll trip going up the chancel steps. How did they walk while wearing these long stoles in the 12th century? In later years stoles were of a tapered shape and were sometimes finished with fringe or little bells. Pope Innocent III gave a religious significance to the stole, which was originally a secular garment, by calling it the "easy yoke of Christ."

At the end of the Middle Ages, the stole became altered to a shorter, wider shape with an excessive splaying at the ends. Today's trend of a narrower stole became current in the early part of the twentieth century. 

Today, in our studio, we see the stole to be a visual link to the Word. We thoughtfully move through the design process of choosing colors and symbols that might assist your ministry. And as the stole in throughout the ages, our stoles (and photography skills!) have evolved over the years. 
Left to right: Our first stole sold on eBay,
one of our first commissioned stoles, and the newest stole on our website.

*Thanks to Textile Art in the Church by Marion P. Ireland for this history

Wednesday, July 27, 2016

Rhythm: On the Ice and In Worship

I was recently with a friend in a store and we stumbled upon a toy zamboni. I recalled how when we moved to Pittsburgh and for the first time ever experienced life in a "hockey town." My son quickly fell in love with watching the work of the zamboni as it resurfaced the ice. I relayed the story and was thinking my precious child was unique. But my companion exclaimed, "who doesn't love the zamboni?!"


This caused me to reflect why? Time and time again the ritual is the same as the ice is scraped and then refreshed with clean water. We know what's going to happen. We understand the importance of the task so the skating can go on. Isn't this like worship? The rhythm imprints itself on us. We work at it over and over again. It allows us to be active with God. We are cleansed. We need it to happen.

I am thankful for the rhythm and ritual that God has modeled for us and called us to participate in. And therefore we enjoy creating products that honor the liturgical calendar. Rooted in history we cycle through the ritual of recalling and celebrating Jesus' life. There is a time for every season and this allows us the structure to honor our Lord and be refreshed in the rhythm over and over again. And like the zamboni we are all able to love this! Thank goodness.

Tuesday, June 21, 2016

PCUSA 222nd General Assembly: Co-Moderator Stoles



We were humbled to be commissioned to create the stoles for the co-moderators of the Presbyterian Church USA 222nd General Assembly. The design of this stole grew out of references to the host city of Portland and the GA theme “The Hope in Our Calling” (Ephesians 1:18.) After researching the host city and the theme scripture the process started with a sketch that was tweaked after obtaining the client's input. The first thing on the stole was the PCUSA seal. Starting here gives the stole life and allows us to best visually balance the imagery around it. Next we audition paper patterns of the symbols to make sure the scale is correct. Finally fabrics get chosen and then sewn onto the base fabric. 

Elements of the symbolism on these stoles include:

 Anchor cross - a traditional symbol for hope (it's on the tip of the back neck.)

Sun - an artistic reference to “the son” used because our faith manifested through the son (Jesus Christ) allows us to have hope.

Mt. Hood - a Portland landmark. Perhaps the sight of this mountain will remind others of Mount Sinai where we learned of the importance of obedience in our relationship with God.

Portland skyline - to recall the 222nd GA location.

Fremont Bridge - Portland is known as the “City of Bridges.” The bridges make an impact on the landscape and allow for easy passage across the rivers. On this stole the bridge also symbolizes the bridging and coming together of the many ministries within Portland and in the greater PCUSA.

A river - Portland is located at the confluence of the Willamette and Columbia rivers. A river is symbolic to us as Christians as it speaks to Baptism. When we see the river may we remember the covenant made at our Baptism which has led us to the “hope in our calling.”

The earth -the place where we currently are rooted. It is the world we are called to live and work in. The earth is also a symbol of creation care and environmental issues which are infamous in Portland.

The rose - “City of Roses” is one of the nicknames for Portland because of the rose festival and rose test garden. The rose on this stole is shown in growth stages to represent “growing hope.” It is also interesting to note that the rose was an early Christian symbol found in Roman catacombs where it denoted paradise.

It was wonderful to be able to take on the challenge of such a story all on one stole! We pray that our work is a wonderful visual tool for the co-moderators as they continue their ministry the next 104 weeks!

Wednesday, April 27, 2016

Book Review: The Whispering Cloth

Stories are told through art in so many different ways. We aim to create ministry stoles at Carrot Top Studio that are pieces of wearable fiber art that tell a story through their colors and symbols. When we read about the tradition of the Hmong people in Southwest China's story cloth we felt a connection to their artistry.

Our curiosity led us to finding this children's book, The Whispering Cloth written by Pegi Deitz Shea. The illustrations are unique because some are watercolors and others are photographs of actual embroidered story cloth. They were created by Anita Riggio and You Yang. The book follows the story of a young girl who works out painful memories of her childhood by creating art in her story cloth. She is slowly and carefully taught her skill by her grandmother. This is a book about survival of a resilient group of refugees. The main characters grandmother is an example of love and wisdom.

I'd recommend this book to anyone that works with refugees, is a refugee, or to be used as a story starter for an art project. Additionally I could see it used in lessons of learning compassion, patience and loving one another in a variety of educational settings. I remain grateful that God has given us art and visual connections to learn from, to remember by, and  to grow through.

Saturday, April 02, 2016

Our Favorite Blogs

We can learn and be inspired by reading. Therefore, today I thought I'd share some of our favorite blogs that we follow that pertain to Carrot Top Studio. Maybe they will inspire you for a bulletin cover, arts group within your church or feed your own artistic soul.

Artists-
  • Susie Lubell is an illustrator. We like her whimsical style and dedication to her faith.
  • West of Here takes and shares the most stunning photographs and has the ability to hone in on what is most interesting. 
  • Julie Lonneman has an amazing way of sharing what she believes in her graphic art.
  • "Love God, Serve Others, Make it Beautiful!" is the motto of Valorie Sjodin who moves me with her detailed drawings (and her motto!)
Christian Art Associations chalk full of resources-
Stitching inspiration-
  • artists Karin Birch and  Claire Wellesley-Smith both stimulate my desire to add hand stitching to our stoles. Stay tuned to see if we progress in this direction!

Fabric inspiration-
  • A Stitch in Dye because she's got great style. 
  • Anna Maria Horner juggles a business, a family and also writes about her family's faith heritage. She also demonstrates how to mix patterned fabrics together. I appreciate all of that.
  • Artfabrik for fabric dying advice and igniting a desire to do so. 
  • Erin Wilson Quilts proves that you can make images simplified with fabric...something we have to think about when sewing on 5" widths.
And these help remind me of what is real-
  • Out of the Dust & Us reminds me of the world that is outside of my studio in Michigan. The added bonus is seeing the batik fabric of the clothes in their community. 
  • Cast Your Net uses art to help illustrate his sermons and his messages from the pulpit usually have a way of getting me to think twice.
  • For my home and kitchen I read the Radical Homemaker. I appreciate the way she is raising her family.
And then after a day in the studio I often unwind with a recipe inspired by Food 52. The creating goes on and on and on!

**p.s. The Feedly app makes following these blogs very easy. Maybe you'd like to add Carrot Top Studio to your feed? Wink. Wink.

Tuesday, March 08, 2016

Visual Art in Worship

Byzantine Icon of the Cursing of the Fig Tree
Reportedly 40-60% of people learn visually. Several Sunday's ago I saw this live out in worship. My home congregation sometimes uses fine art on the bulletin cover to connect to the liturgy of the day. We happened to sit down behind a family with two young boys. As we all got situated, I realized the mother and one son were talking about the bulletin cover art. It took everything in me for my former art educator soul not to squeal with delight. Inside the cover is a brief description of the art. This was not written for a five year old but the mother was breaking it apart and the son was pointing out components of the visual and asking questions. 

Worship commenced and we all settled into the rhythm. But then the visual made a connection to the Word! The gospel was being read and the child in front of me heard the words "fig tree" and despite his wiggling and seemingly not paying attention he was making a connection and nudged his mother to affirm that he knew!  I wanted to do cartwheels down he aisle! Hooray for these parents for bringing their children to church. God bless them for not dumbing the experience down and including them as best as they could.  And thank you God for showing us in your Word many examples of visuals, color, and textiles being used to help teach us your story.

I have always maintained that visuals like the work we do at Carrot Top Studio aren't essential for a relationship with our Lord or for worship. But I am thankful we have them. 



Friday, January 29, 2016

Sharing: A New Commissioned Stole Is Complete!

We recently completed a stole for a seminarian preparing for Ordination. She sought a piece that would reflect where she lived and served in Peurto Rico.It was fun to start with her own sketch and photos. When I work on a stole like this it makes me appreciate the many years as a young woman that I studied watercolor painting. As a general rule when you use watercolors you start with what is furthest in the background and work your way forward. This is because once the paint is down it can't be removed and it is not easily gone over. The commissioned stoles that we do that are like "story stoles" with a lot of appliqued pieces need to be figured out in this logical type of sequencing. It's a bit of a puzzle in the beginning but with careful planning it comes together nicely. Interesting how one opportunity from your past prepares you for the future! We've just completed the sketch for another story stole. You'll hear more about that this summer. #PCUSA #GA222 (spoiler alert :))

*Note 1-we love learning new things (especially about plants and food) and were pleased to be introduced to the seagrapes that are the large leaf plant with the interesting, clustered fruit. 

*Note 2-we had special permission to use the PCUSA seal, this one time