Palm Sunday

Many varieties of plants and trees are used symbolically throughout the bible. Palm branches are most often used as a symbol of Jesus' triumphal entry into Jerusalem, the event that heralded his coming Passion and crucifixion.

By derivation, palms may represent the fickleness of human acclamation. Used by the Romans as a symbol of victory, they have been used by the church as a symbol of Christ's ultimate victory over sin, or of the saints' victory over death. Therefore in art history martyrs are sometimes portrayed holding palm branches and the branches were used as a funerary emblem among the early Roman Christians.

How will your congregation celebrate with palms this Palm Sunday?

Some of Our Favorite Books for Lent

Last Supper Art by the editors of Phaidon Press. This book presents a sequence of over 100 images of the Last Supper. It demonstrates how each artist responded to the complex challenge of creating a convincing group of individual personalities and expressing their relationships with each other.







Palm Sunday Parade by Martha McKown. The impact of that first Palm Sunday parade will be remembered long after the use of this resource. All ages will recall both the joy and the sadness of that day's events. Church families will experience the rich joyous praise as they become involved in the narrative, the procession and hymn singing.



The Image of Christ by Gabriele Finaldi is a beautifully illustrated, colorful history of how Christ has been portrayed by artists from the early church to the present. the book explores the challenges Christian artists have faced as they have tried to imagine what Jesus looked like. Since no eyewitness descriptions of Jesus' physical appearance survived, the earliest artists' depictions of Christ played on the symbols and images that he used in his parables--such as the Good Shepherd, the Light, and the Vine. Later, artists became concerned with capturing Christ's true physical likeness, based on miraculous relics such as the cloth that Saint Veronica offered him on his way to Calvary, which was believed to be imprinted with an image of his face. These stages in the history of Christian art are described by several art historians in brief essays, each of which is lavishly illustrated.

Visual Reminders During Lent

In worship we use stoles, paraments, banners, flowers and other elements as visual reminders of the liturgical season we are celebrating. What can we do at home to help us focus particually during our Lenten journey?

Rober Fulgham in From Beginning to End: The Rituals of Our Lives suggests using sand. "Perhaps a bowl of sand can help us remember our journey. God led the people in their journey in the desert. Jesus himself reenacted that journey to face his own temptations. The desert can be a place of retreat, where there is a freedom from distractions. It can be a good place to be led and to face our temptations."

May you make time for desert days prior to the joy of Easter.

Donut Day

I can't wait for tomorrow morning when this granola and green tea loving Mom will surprise her children with a great excuse to eat donuts for breakfast! I grew up in a Dutchy area of Eastern Pennsylvania where Fausnaught Day (donut day) was celebrated with great gusto. The original purpose was to use up the baking ingredients in one's pantry before Lent, as these items were not to be consumed and would not stay fresh til the end of Lent.

Lent is a season of soul-searching and repentance. It is a season for reflection and taking stock. So even though I went to the store to purchase our donut treat instead of cleaning our my pantry I hope the sugary breakfast will lead us into a great discussion of how we can retreat into the wilderness with Jesus this season.

Purple for Lent

For the first millennium, little concentration was paid to creating fixed cycles of colors for the vestments and textiles that were related to particular seasons of the church year. Through the Middle Ages, most churches in Europe began developing and sharing traditions that associated certain days with certain colors. In 1570, when Roman authorities issued universal rules, these patterns differed from region to region and from parish to parish.

Today liturgical color continues to harmonize the message of the seasons and special days during the church year. Color allows us to see the Light of Life, Jesus Christ. The changing hues emphasize a specific "colorful" chapter in the life of our Lord and his church. We live this rhythm annually by the church calendar.

Frequent instruction about the church year and its corresponding colors must go hand in hand with its weekly use. For example, when thinking about the purples of Lent we are informed to know that violet or purple was a very cherished and expensive color in the world Jesus lived. The dye used to make the color was painstakingly acquired by massaging the neck of a Mediterranean shell fish that secreted a special fluid. It was therefore afforded only by the rich and worn most exclusively by the royalty.

Jesus, the king of the Jews, wore a purple robe only once. As the soldiers mocked and tormented him, the Scriptures record that they placed on him a "purple garment" in order to ridicule him and belittle the claim that he was a king.

Therefore, purple is used during this penitential season of Lent as a vivid reminder of the disrespect and ridicule he endured, and the subsequent sacrifice he made for our salvation. During Lent the purple of stoles, worship banners and other paraments should remind all Christians of their daily need to humbly give attention to leading a life of repentance.

Lent Banners

Our latest worship banners...headed to Chicago to help focus the congregation's worship on the season of Lent. The banner on the left represents the wilderness, reminding us of the forty days of withdrawal Jesus spent there. The banner on the right tells the story of Holy week. The palms are for Jesus' triumphal entry into Jerusalem, the rooster for Peter's denial, the nails and crown of thorns remind us of the crucifixion. Purple , the color of royalty is a reference to Christ the King. The variety of purples in addition to the black, red and gold remind us of the pain, suffering and passion that we remember as we pray, fast and are penitencial during this season.

It's Cold Outside!

Young visiting artist in the studio today...we decided it was too cold to go outside so she created snowflakes to dangle in our work space. We're delighted!

The Image of Jesus

The Finding of the Saviour in the Temple, Holman Hunt

January 20th and 27th from 9:45-10:45 I have been asked to speak about the "Image of Jesus" at Westminster Presbyterian Church, Upper St. Clair, PA and I am anxiously anticipating guiding the examination of many intriguing works of art.

The Bible doesn't tell us what Jesus looked like. So, how did our image of Jesus develop? Fairly early in history, he was shown as a man on the threshold of middle age, with brown to black hair and a beard, and an facade of sorrow and compassion. Beyond this, each age has produced its own deviation of the Jesus image to meet its own needs, projections and beliefs. The following is a little hint of what we'll look at...

The Gospels give us only one glimpse to satisy--or to pique--our curiosity about the childhood of Jesus. In Holman Hunt's Finding of the Saviour in the Temple, the incident narrated in Luke 2:41-52 epitomizes the ambivalance of his relation to the Jewish tradition. His parents find him seated among the teachers of the Mosiac law and confounding them with his questions and answers; but he gently rebukes the reproof of his parents by asking, "Did you not know that I must be in my Father's house?"--referring to the Jewish temple in the Holy City of Jerusalem.

If you are in the Pittsburgh area please feel free to attend. Additionally, worship at Westminster is at 8:30 or 11:00.

Baptism of Our Lord

This Sunday we will celebrate the baptism of our Lord in my congregation. Two baptism items come to our mind that we'd love to share with you. First, we love the hymn for this Sunday that is titled: Lord, When You Came to Jordan. The Presbyterian Hymnal Companion explains that the hymn focuses on Jesus' baptism and lifts up the tradition that suggests it was a moment of personal revelation as well as an outward sign of his mission. It asks questions concerning Jesus' inner life and then becomes a prayer on behalf of our being able to see God's work today. We just love when a story is told! We often convey a story in our stoles and worship banners and when we're in worship and the visual connects with the Word and the music the story really hits home!

Secondly, have you read Water, Come Down! The Day You Were Baptized by Walter Wangerin is beautifully illustrated by award-winning artist Gerardo Suzan? It is a wonderfully imagined story of God's power and love joined in the baptism event---a story that will grow richer in meaning each time the book is read. We appreciate that the author also provides several pages of excellent resources for family Bible study, exploring the scriptural sources behind his story and making the theological concepts both accessible and engaging.

What do you relish about the celebration of baptism?

Epiphany of the Lord

The Three Kings Altarpiece, Hans Baldung.

About the Artwork
Baldung was a German painter and graphic artist. He probably trained with Durer in Nuremberg, but his brilliant color, expressive use of distortion, and taste for the gruesome bring him closer in spirit to his other great German contemporary, Grunewald.

In 1507 Baldung was probably in Halle when he received the commission for the alterpiece, The Adoration of the Magi (Berlin). Although displaying some clumsiness, colors are surprisingly sure, and Baldung's self-esteem is revealed by the fact that he drew a self-portrait behind the main character at the center of the retable of Saint Sebastian. It is an oil on wood.

The Liturgical Celebration
This Sunday we celebrate the epiphany of the Lord. The word epiphany comes from the Greek noun epiphaneia, which means "shining forth," "manifestation," or "revelation." In the ancient Greco-Roman world, an epiphany referred to the appearance of one of the gods to mortals. Since Hellenistic kings and Roman emperors were considered by many to be gods, the word epiphany was also used as a term for divine majesty. The Epiphany of our Lord is the Christian festival that celebrates the many ways through signs, miracles, and preaching that Jesus revealed Himself to the world as Christ, God Incarnate, and King of kings.

The scripture: Matthew 2:1-12 In the time of King Herod, after Jesus was born in Bethlehem of Judea, wise men from the East came to Jerusalem, asking, "Where is the child who has been born king of the Jews? For we observed his star at its rising, and have come to pay him homage." When King Herod heard this, he was frightened, and all Jerusalem with him; and calling together all the chief priests and scribes of the people, he inquired of them where the Messiah was to be born. They told him, "In Bethlehem of Judea; for so it has been written by the prophet: 'And you, Bethlehem, in the land of Judah, are by no means least among the rulers of Judah; for from you shall come a ruler who is to shepherd my people Israel.'" Then Herod secretly called for the wise men and learned from them the exact time when the star had appeared. Then he sent them to Bethlehem, saying, "Go and search diligently for the child; and when you have found him, bring me word so that I may also go and pay him homage." When they had heard the king, they set out; and there, ahead of them, went the star that they had seen at its rising, until it stopped over the place where the child was. When they saw that the star had stopped, they were overwhelmed with joy. On entering the house, they saw the child with Mary his mother; and they knelt down and paid him homage. Then, opening their treasure chests, they offered him gifts of gold, frankincense, and myrrh. And having been warned in a dream not to return to Herod, they left for their own country by another road.

Looking at The Three Kings Altarpiece

• What title would you give this work of art?
• What types of colors has the artist used? Does the color remind you of a certain feeling?
• Does everything in the artwork look equally important?
• What would you say if you were to meet the Lord in person?

If you enjoyed this post then bookmark our new blog www.RelatingToArt.blogspot.com which strives to describe, analyze, and interpret art as it relates to religon with new posts at least once a week.

Family Time

Something to think about as we enter a time spent with families to celebrate the newborn King...If someone placed a hidden camera in your home, what would they discover about your family's celebration? What evidence would they find that Jesus is Lord of your home?

Have a blessed Christmas!

The Nativity

“... Mary gave birth to her firstborn son and wrapped him in swaddling clothes and laid him in a manger, because there was no room for them in the place where travelers lodged.”

The Nativity became a favorite subject in Christian art by the 14th century. One of the reasons for this fascination with the scene was the devotion practiced by St Francis of Assisi. Around 1220 he celebrated Christmas by setting up the first presepio or crèche in the town of Greccio near Assisi. He used real animals to create a living scene so that the worshippers could contemplate the birth of the child Jesus in a direct way, making use of the senses, especially sight.

As a child my parents took me to see the elaborately, garnished 20' blue spruce at the Metropolitan Museum of Art that is surounded by a Baroque creche. It is dramatically displayed in the midst of the medieval sculpture hall. Today in my hometown of Pittsburgh, PA I enjoy carrying on the tradition of marveling at the presepio with my children at the Carnegie Art Museum. I particularly enjoy the fact that this elaborate, Neopolitan masterpiece is surounded by many large live evergreen trees decorated with handmade ornaments from different groups in the community. The old and very classic figures of the presepio are enveloped by contemporary art from professional artists, hobbyists and children...it is artistically the best of both worlds!

St. Francis was certainly savvy when he realized that worshippers would benefit from using their senses to better connect with the message. Today we carry on the the tradition with elaborate presepios but the message can be accentuated in simple ways. The light of candles (Christ was the light of the world), the use of the colors white and gold (purity and royalty), or congregants adding pieces of straw to a manger to help prepare the way can be just as powerful.

Ceremony of Carols

Things we love about Advent....

...listening to music for the season such as the above posted Carols by Benjamin Britten.

...lighting Advent candles each Sunday prior to our evening meal. Included in our candle lighting are short readings from the Bible and family prayers.

...making paper chains to helps us count the days--purple loops for Advent (a pink one for the third Sunday of joy), white for the 12 days of Christmas and green or gold for Epiphany. We rip the loops off the chain as each day passes to help the little ones “see” the passing of time.

...praying for the people that we receive greeting cards from each day.

...reading--this year in particular we are enjoying the Advent blog by Jan Richardson. The rich artwork and text that is thought provoking and inspirational.

Just read...

Max Lucado's, The Christmas Candle. This sweet story is an easy, quick read yet you will savor the message of the mystery of faith and the wonder of love.

We loved these lines, "With passion. Your preaching could use some. A little puplit fire never burned a church, you know...." and "What are you afraid of, Reverend? Afraid the prayers won't be answered--or afraid they will?"

For Advent: Click on banner for a virtual calendar

A Visit to the Art Museum

This past weekend I took pleasure in my inaugural visit to Harvard’s Fogg Art Museum in Cambridge, Mass. This museum, which opened to the public in 1895, is Harvard's oldest art museum. Around its enchanting Italian Renaissance courtyard are galleries illustrating the history of Western art from the Middle Ages to the present. The galleries particularly strong in Italian early Renaissance are a great reminder of how religious and liturgical symbols have been incorporated into visual art for centuries. I found the tempra and gold painting of Saint Catherine of Siena by Giovanni de Paola (as seen at left) particularly charming. History knows Catherine Benincasa as the persuasive mediator who negotiated peace between Florence and the papacy. In this portrait, St. Catherine of Siena appears with a sprig of lilies as a symbol of peace, and is wearing the black-and-white vestments of the Sisters of Penance of St. Dominic. Paolo’s graceful approach to Catherine of Siena is accentuated by her elongated figure.

The seasons ahead of Advent and Christmas can be so busy. I recommend you take time to pause and enjoy an art exhibit. There is something very theraputic about walking through the quiet of an art gallery, meditating on, contemplating about or simply enjoying what you see.

Need a gift idea? Enrich a life with the gift of an art museum membership!

Preparing for Christ the King Sunday

Christ the King is the last Sunday of the liturgical church year calendar. The day completes our annual journey of celebrating and learning from the life of Christ on earth. We can worship with confidence and joy that Christ is the King!

We can reflect upon: Praise to the Lord, the Almighty, the King of creation! O my soul, praise him, for he is your health and salvation! Let all who hear Now to his temple draw near, Joining in glad adoration! (Psalm 93).

Marking the kingship of Christ makes a healthy transition that leads directly from Ordinary Time into Advent and the remainder of the Christian year. So ignore the Christmas tunes on the radio and the decorations in the mall and recognize Jesus as the King of Kings.

*pictured stole is new to our collection and illustrates the "I Am" statements. The photo is a link to this item on our website.

Thanksgiving

Here in the United States we are preparing to celebrate Thanksgiving. At Carrot Top Studio we love this holiday because it is not terribly commercial. We can simply take the time to be reverent for the gifts of the earth at this harvest festival. Interestingly our American commemoration of the Pilgrim's feast might be a carry over from the European tradition of St. Martin’s Day which celebrates the end of the agrarian year and the beginning of the harvest.

Many faith communities gather on Thanksgiving Eve or Thanksgiving morn to worship. In addition to worship banners and minister’s stoles that represent the colors of a fall harvest, churches might enjoy the use of a cross created out of sheaves of wheat and offertory processions that include food items that can be distributed to those in need. Our home congregation includes the giving of five pieces of corn to each family. We take them home and place them on our table as a visual reminder of the hardships the Pilgrims endured. The story has been handed down that this faithful community of Pilgrims was able to be thankful to their Lord even on days when they only had five pieces of corn to eat.

I’ll close by sharing a favorite recipe that usually graces our Thanksgiving table:

Pumpkin Apple Bake

Clean out a medium pumpkin. Fill with a mixture of raisins, chopped apples, nuts, dates, cranberries, dried apricots, a small amount of brown sugar and cinnamon. The amounts are very flexible and you can use items that you enjoy that you might typically find in fall pies. Pour fruit and nut mixture into the pumpkin, dot with butter. Bake on a cookie sheet 1 hour 15 min.-1 hr. 30 min. The pumpkin will turn a lovely deep color and can be used as the center piece on your table for you to serve the wonderful warm fruit directly from.

And as Ralph Waldo Emerson said:

For each new morning with its light,
For rest and shelter of the night,
For health and food,
For love and friends,
For everything Thy goodness sends.
Thank you, Amen.

Life of the Mill Girls

In my spare time I enjoy quilting. I’m pleased to share that I have a quilt in a museum exhibition at the New England Quilt Museum in Lowell, Massachusetts. The show opens November 15th and sounds like it will be inspiring, delightful and diverse. This is our inaugural exhibition in a museum so we’re quite excited!

The New England Quilt Museum asked quilters to interpret how Lowell could inspire them to create in fabric. You can see my answer to this challenge in the photo. The corresponding artist statement reads:

I am a fiber artist. I have been sewing since I was old enough to lace a shoestring through a cardboard sewing card. Today I enjoy quilting for pleasure and sewing for my business that caters to pastors and churches. My work usually tells a story.

I find contentment in researching, contemplating and designing a new piece. Once I am comfortable with the design, I dive in and become very focused in the actual production.

“Inside the Life of a Mill Girl” grew out of reading about the young women who headed to work in the mills with great anticipation of how their lives would be changed. The symbols represent the bell that rang for every step of their grueling work schedule. The shuttle and the saw tooth borders symbolize the type of work that was performed amidst much machinery. The oil lamp stands for the dangerous working conditions in the mills. The promises made of a safe life with healthy meals and a regard for high moral standards are characterized in this quilt’s boarding house and church steeple. Lastly the steps of picking, carding, spinning, warping and weaving are graphically included to complete this piece.

The accomplishments, courage, and independence of the young mill girls are something we can learn from and be encouraged to apply to our lives today.

I think we can easily find inspiration in the story of the mill girls who went to work to earn money for their struggling farm families, tolerated work conditions that did not promote a joyful environment, yet diligently went to church, loved to read and appreciated the arts.

For Your Bookshelf

For my birthday, my brother recently gave me a photograph of an ocean scene with a person walking on the beach. Upon opening the gift I pondered the symbolism of peacefulness one gets when walking on the beach, the imagery of water curing thirst and cleanliness, and a desire for retreat to the wilderness.

This makes me think of the history of Christian worship and how it is immersed in symbolism, beginning with the symbols from the Jewish scriptures such as the rainbow God gave Noah. Until modern times literacy was limited therefore worship depended upon signs and symbols to remind and teach and aid us with the mystery of God. Signs and symbols still serve this purpose today.

A book I often turn to while researching the design of minister’s stoles or worship banners is Worship Without Words by Patrica Klein. This little guide is a very helpful explanation of the liturgical calendar and the signs, symbols, gestures, vestments and architectural elements that accompany liturgy. You may also enjoy it for your bookshelf.

Banner Commissions

At Carrot Top Studio we enjoy the challenge of making banners for a specific setting. That is why we don't carry ready made banners. We think it's important that the color, size, and visual message accentuate the existing architecture and environment.

Above is our latest commission. It is a set of seven banners for Advent/Christmas that focus on God's messengers, the angels. The narrow banners are embellished with symbols of Mary: the rose and the fleur-de-lis (a stylized lily). The center banner uses the symbol of a Natal cross which is shaped like a star. This reminds us of the story of Jesus' birth and the foretold purpose of his birth. The decorative flower borders are created using the Glastonbury thorn plant. According to legend it budded from the staff planted by Joseph of Arimethea when he took refuge in Glastonbury. Because it blooms during the Christmas season it has become a symbol of the Nativity.


And here's a glimpse of the process it took to get a finished product.

All Saints Day

The day after Halloween, November 1st, is a time to turn attention to those who have inspired us by their unselfish actions. Who are you thinking of today?


The above is All Saints Day as interpreted by William Kandinsky, an oil painting from 1911. It does not represent the exterior world but rather expresses inner feelings of the human soul.

A Prayer of Thanksgiving for All Saints Day

We give you thanks and praise, O God,for by your great power you have called us to a rich hope and pledged us a glorious inheritance among the saints. In time before dreaming you sent the wind to stir up the sea of chaos and bring forth the earth.Through your law and prophets you promised us that your Kingdom would belong foreverto those who embraced your holiness.Through your son, Jesus Christ, you proclaimed a day when the hungry will feast and the mourners laugh. When he was killed on the cross you raised him from the deadand seated him at your right hand. In him you give us a spirit of wisdom and revelation, so that we might know that hope to which you have called usand embody the fullness of Christ who fills all in all.Therefore, with our hearts lifted high, we offer you thanks and praise at all times through Jesus Christ our Lord,who lives and reigns with you and the Holy Spirit, one God, for ever and ever.

Amen.



©2001 Nathan Nettleton LaughingBird.net

Walking A Labyrinth

Solvitur ambulando…It is solved by walking…

--Saint Augustine

A labyrinth is an ancient symbol that relates to wholeness. It combines the imagery of the circle and the spiral into a meandering but purposeful path. The labyrinth represents a journey to our own center and back again out into the world. Labyrinths have long been used as meditation and prayer tools.

Walking a labyrinth is a right brain task. It involves perception, creativity, and imagery. With a maze many choices must be made and an active mind is needed to solve the problem of finding the center. With a labyrinth there is only one choice to be made. The choice is to enter or not. A more passive, receptive mindset is needed. The choice is whether or not to walk a spiritual path.

I am a right brain person and I have the need to move. Walking a labyrinth is something I crave and I have had very moving moments while using one as a tool for prayer. I love the openness of a time on the labyrinth—it accepts you for whatever age you are, where you are in your faith, what you look like, or whether you needing to move mountains or molehills.

If you want to learn more you will certainly enjoy Walking A Sacred Path by Dr. Lauren Artress. She explores the historical origins of the labyrinth and shares the discoveries of modern-day seekers. If you question the potential of a labyrinth this book will inspire you to try a walk to quiet your mind and open your soul.

To find a labyrinth near you click here.

A Fine Discussion With Wise Women

This week I had the delightful opportunity of visiting a local retirement community to speak about how color and symbols apply to the seasons of the liturgical church year. We looked at symbols in stoles and worship banners that had specific meaning; like the Alpha and Omega. Symbols like this require previous knowledge or education to understand. Other symbols seem obvious but can have different meaning to different people. We discussed the example of fire. Knowing that we were focusing on worship some of the participants immediately chimed in that fire was a symbol for Pentecost, but upon reflection we also came up with destruction (like the terrible fires currently raging in California), joy (like the flame of a birthday candle, and warmth (like a lit fireplace on a cold winter’s night).

There are also times when symbols rely upon the interpretation of the viewer. We looked at one of Carrot Top Studio’s stoles for Lent that is just an arrangement of purples. The somberness, depth of color and the arrangement allowed us to reflect upon feelings and emotions that we move through during the penitential time of Lent. These women, in their wiser years of their lives, were in agreement that congregations and those in leadership could do more to educate about the visual components of our faith. Human insight, both spiritual and visual, can be expanded and be a significant step in our journey toward a deeper relationship with God.

The Bible gifts us the words and symbols to draw up visual images in our mind. Psalm 150 is a great example of this.

Praise the Lord. Praise God in his sanctuary; praise him in his mighty heavens.

Praise him for his acts of power; praise him for his surpassing greatness.

Praise him with the sounding of the trumpet, praise him for with the harp and lyre,

praise him with tambourine and dancing,

praise him with the strings and flute,

praise him with the clash of cymbals, praise him with resounding cymbals.

Let everything that has breathe praise the Lord. Praise the Lord.

Listen to John Rutter's setting of these words to music while viewing St. Paul's Cathedral, London.

What a magnificent worship space, with so many visual components--rich in color, symbols and art!

Art: A Gift From God

While searching for a new home church after we moved it was exciting to walk into the first congregation we visited to discover it had an art gallery. After fifteen years of volunteering in many different aspects of church life I am now preparing to become the new curator of this gallery space. It is not large, but it is at the main entrance of the building so it has the potential of impacting many people that walk through the doors. This gallery space should allow viewers to experience faith within a visual context.

I would love to hear from you if you have a gallery space in your church. Does it have a vision or mission statement? How do you find your artists? Do the artists display a written statement of faith or any other kind of written message about their connection between being and artist and being a Christian?

While doing prep work for this new task in my life I came across an article from a past issue of Presbyterians Today. I share with you a synopsis of the author, Danny Potts, ideas on how to incorporate the arts into your congregation’s life:

1. Arrange museum trips to teach Bible study and Sunday School groups to look theologically at art. For example, how would a study of the Exodus story inform and critique an exhibit of American art of the Old West? You might even call the museum ahead of time to arrange for a docent to collaborate with you in your exploration.


2. Set aside part of your church building as a gallery for changing exhibitions of work by artist in the congregation, community or a local college.


3. Invite members and friends to bring a brown bag lunch to an “Art lunch” and 30 minute program. Food, fellowship and half-an-hour on Leonardo da Vinci’s Last Supper or The Gleaners by Millet would make for a meaningful workday break.


4. Invite interested persons to gather each week to hear the text for the upcoming Sunday sermon and respond to it creatively, as a way of beginning their preparation for worship. If the hymns coordinate with the sermon text or the celebration that Sunday (you’d think they always should, wouldn’t you) add another dimension to the creative response by playing the music in the background as you work.


5. Plan a year with the Bible—in art. How have the stories of our faith been painted, drawn, sculpted, built? Spend a year studying art through the Bible and the Bible through art.


6. Establish a one-year Artist-in-Residence program, so that your congregation, or a group of congregations, experiences the gifts and creative opportunities of artists working in a variety of media.

God and art are intrinsically connected and we celebrate that truth together. We must encourage the visual arts in the life of the church today!

Columbus Day

Today, Americans celebrate Columbus Day, a holiday celebrating the arrival of Christopher Columbus to the Americas.

While taking pleasure in a new book, given to me by a friend that knows I enjoy the haunting lovliness of Shaker music, I came across the piece, "Christoper Columbus's March". The commentary by the editor, Christian Goodwillie is interesting--

The lyrics use maritime metaphors to make the comparison between Columbus's voyage of discovery and the committed Believer's lifelong voyage of spiritual discovery...Travelers on both journeys brave the unknown, yet like Columbus, the faithful Believer "shall safe embark, On Canaan's happy shore". The lyric describing the "rolling seas of time" is particularly poignant in its evocation of life's uncertainty, whether one lives within the faith or without."

The book Shaker Songs: A Celebration of Peace, Harmony, and Simplicity can be purchased on Amazon. It even includes a CD of traditional Shaker music with performances by the Boston Camerata!

A Knock at the Door

I love experiencing all different types of worship from Tenebrae, or contemporary, to funeral services and everything in between. On Friday our hometown of Pittsburgh, PA installed a new Catholic Bishop I was therefore very intrigued with the surrounding worship celebrations at St. Paul’s Cathedral.

For example, though he had walked through the same door countless times before, Bishop David A. Zubik could enter St. Paul Cathedral in Oakland on Thursday night only after knocking. Pondering this symbolic act that was foreign to me, I could think of several bits of Biblical references that might have inspired the tradition. First, to come to mind was the scripture from Matthew that says, "Ask and it will be given to you; seek and you will find; knock and the door will be opened to you. For everyone who asks receives; he who seeks finds; and to him who knocks, the door will be opened.” Also, Rev. 3:20, “Here I am! I stand at the door and knock. If anyone hears my voice and opens the door, I will come in and eat with him, and he with me.” The messages of these passages to persist in finding God and while also leaving the door to our hearts consistently open to God (personally and corporately) are ones we probably couldn’t hear often enough.

I little internet research explains that the knocking-on-the-door tradition dates to medieval Europe, when "chapters" of clergy independent of the bishop controlled the cathedral. Bishops had to knock to enter the churches. So the Rev. Donald P. Breier, St. Paul's rector and pastor, greeted Zubik as he crossed the door's threshold and welcomed him to the cathedral prior to the evening prayer service.

Carrot Top Studio creates stoles and worship banners so I initially was watching for the types of vestments, and stoles worn by the clergy in attendance. I also wondered if there would be worship banners in this grand space. Because I am fond of symbolism, I was also curious to watch for the presentation of the crozier. The symbolism of this pastoral staff that is carried by the Bishop links to Christ the Shepherd and is a visual reminder of the teaching the Bishop will do. While watching this three hour service on TV it was no surprise that there was much more observed and absorbed than I anticipated. I embraced the community that came together in this celebration and prayed with them for Christianity to grow within the city of Pittsburgh. Along with the Bishop, wherever we may be, may we continue to seek, find and knock.

Our newest banners

These 3' x 6' banners represent the "River of Life" and "Tree of Life". The river of life is referenced in Geneseis 2:10. After watering God's garden it was a source of four other rivers. Likewise Christ is the water of life flowing into the four corners of the earth. The tree of life is centrally located in the Garden of Eden (Genesis 2:9). Similarly Christ is centrally located in both the earthly and eternal life as told of in Revelations 22. A United Methodist church in Texas is using these banners to enhance worship during Ordinary Time. Find out how to commission banners specific for your church life here.

Inventory

At Carrot Top Studio we’ve been thinking about inventory.
Do you take inventory at your church? We can think of several
reasons why you might take inventory…from the serious to the crazy!



There is of course the spiritual gifts inventory. Why should we take one of these inventories? Since there is a limit on the time we can serve, we need to look for maximum effectiveness. Structuring our ministries around our giftedness will help us do that. Knowing where we are spiritually gifted will help us know where to put our focus, energy, and time. It will show us where we should plug into ministry.



The Barna group (their goal is to facilitate spiritual transformation) offers another type of inventory. It is a self-administered survey that church leaders can complete to evaluate how the habits of their church compare to the habits of the nation’s most effective churches. This might first occur to you as useless information but it can be a wonderful launch pad for discussion amongst your leadership.



When I was thinking about inventory I recalled the year my husband had the job of taking the inventory of the church silverware, plates, glasses etc. for a Williamsburg Christmas dinner. Thank goodness he has a jolly disposition because this type of inventory can be tedious!



Have you ever had to inventory your church membership records? You look for those that no longer live in the area or have moved to another church or aren’t worshiping anymore. This type of inventory certainly has be taken with great care so as not to offend anyone. You would still welcome someone that hasn’t graced your doorstep after many years astray wouldn’t you?



Advent is one of our busiest seasons and it’s only ten weeks away! So, Carrot Top Studio took an inventory this week. Now we’re sure of what we have available in stock and think we have a plan for filling in the holes. Our clients are always full of good ideas…any thoughts or suggestions?



Taking inventory has allowed our new old stock (NOS for short!) to be offered for sale on eBay this week (listings begin 9/20 and 9/22). Most of these designs will not be produced any more and we hope you will take advantage of the bargains!



Someone once said, “if it is important to you, it is worth documenting. If you don't feel it is worth documenting, then take another look at it.” Does this apply to church inventories? I leave you with that to chew on.

Color!

I am not Catholic so it has been interesting to learn that when the Pope visits a venue outside of the Vatican a Master of Ceremonies dictates the outer vestments worn by the Pope and others involved in worship.

It was delightful to stumble upon this photograph of the Pope recently in Austria. What a splash of color! I don't know what the Pope's message was while in this moment, but when I look at the vestments I feel joy, peace, rebirth and growth. Personally I yearn for the traditional colors of the liturgical calendar to mark the rhythm of worship, but during Ordinary Time I find it energizing and stimulating to see the use of other colors. I appreciate this freedom and spontaneity.

Interestingly a brief examination of the use of liturgical colors throughout church history quickly leads to the conclusion that no pattern of liturgical color is "correct" in and of itself. For over a thousand years the church gave little attention to the use of color. White vestments predominated. It was not until the twelfth century that schemes assiging colors to seasons and festivals began to appear in wealthier cathedrals, abbeys, and churches. We can appreciate our history while striving to continue to worship the Almighty Lord in ways that are most fitting for the moment.

*please forgive me if I've bungled any of the facts about the Catholic church. I would appreciate hearing from you if I need to stand corrected.

Poiema

It wasn't until recently that I started to challenge myself to learn new words and actually try to apply them in speech and writing. I wonder why it took 4+ decades to enjoy this activity? Regardless, I'm pleased to announce that I learned a new word today! I stumbled across an artist who calls her business Poiema. It is pronounced poy'-ay-mah. You probably use this word daily but, because I don't I got caught up in doing a little research.


It turns out that Poiema is a Greek word used in the New Testament for handiwork or work of art. It says that we are God’s creation. It is a referenece to Ephesians 2:10: "We are His work. He has made us to belong to Christ Jesus so we can work for Him. He planned that we should do this." He speaks here of grace, and not of nature: therefore if the works are ever so good, we should see what they are, and know that they are that way because of grace.



How exciting that each person is a beautiful gift. Everyone is welcome and their gifts are encouraged. Every single one of us is a masterpiece. So be it!



*artwork is the Vitruviun Man by Leonardo da Vinci. A little known fact...The Vitruvian Man is actually named for the man who created him, the Roman architect Vitruvius. Vitruvius, a proponent of the Sacred Geometry of Pythagoras, designed temples based on the proportions of the human body, believing them to be perfect. This perfection, wrote Vitruvius, was due to the fact that the extended limbs of a perfectly proportioned human fit into both the circle and the square.

Bats

We were very surprised to have a bat in the studio today!

I enjoy seeing the bats circle the tops of the pine trees at night but really didn't know how to handle this scared, little creature inside....especially as my daughter turned white because she was petrified.

After an animal control agent (I kid you not!) took care of the situation I had a jolt of a memory of a pastor in our church many years ago. Reverend was very tall and wore a black robe while preaching. He pronounced the benediction each Sunday by raising only one arm. We came to learn that when the pastor was young he first delivered a benediction with his wife-to-be in the pews whom immediately erupted in fits of silent laughter. It turns out that between the man's stature and the big black robe all his betrothed could think of, while he raised both arms at the end of worship, was that he just looked like a big old bat. Hence the forty year tradition with this wonderful man of only using one arm to deliver a benediction!

At Carrot Top Studio we work at and blog about the visual in the church today. Visual components such as banners and stoles certainly aren't created to make the congregation laugh. But, recalling our former pastor's story does make me sensitive to the fact that the visual can appear differently from different perspectives! How about you...any visuals that didn't work despite your good intentions in your church? I hope the reaction was laughter and nothing much worse. I'll sign off so I can make sure the screens and doors are secure so there will be no more unexpected guests in the studio today!

Beauty and Art at the Glen Workshop

Do you know about the Image and the Glen Workshop? They were featured this past weekend on a broadcast of Religion and Ethics Newsweekly, a national public television program produced by WNET Television in New York. The segment was recorded at the recent Glen Workshop, which was centered on the theme—“God of the Desert: Judaism, Christianity, and Islam through the Prism of Art.” Its purpose was to challenge Christian artists to discover how beauty and art might enable a better understanding of other religious traditions that trace their lineage back to Abraham.

The Religion and Ethics Newsweekly a national television program saw Image's mission and program as newsworthy and aired a segment about the Glen Workshop this past weekend.
The program will remain up on the RENW home page all week. To go to the Religion and Ethics Newsweekly home page, click here.

Inspiration From the Gee's Bend Quilts

Last weekend found the Carrot Top Studio staff in Baltimore to see the Gee’s Bend quilt exhibit at the lovely Walters Art Museum. The exhibition explored the impact of environment and traditional quilting techniques, and examined the structural patterns that appear to form the foundation of Gee's Bend quilt making. The quilts, whose patterns have been handed down through generations, display bold colors and an improvisational style that is reminiscent of 20th-century minimalist art.



Artistically, the distinctive and bold quilting style reminded me that simple is often better. The power and beauty of these quilts often comes from basic shapes in solid planes and subtle color choices. The quilts can be appreciated without the distractions of composition, theme and other elements of traditional quilting. The work has been stripped to what is essential.



The powerful American artistic quilting tradition of the women from Gee's Bend has been passed down through at least six generations to the present. The faith traditions of this community are just as strong. I don’t know how they have passed on their faith traditions but, I wonder if some of the following has been part of the families lives at Gee's Bend:

• bringing faith into the family's daily life...noticing God's fingerprint throughout the day.
  

• letting children experience the richness of worship...the sights, the smells, the sounds, the rhythm of the liturgy.

• teaching children the language of faith...the symbols, images, stories and songs.

The handing down of statements, beliefs, legends, customs, information, from generation to generation, especially by word of mouth or by practice is important. Today I am thankful for my family and others like the women of Gee's Bend who have gone before me.

We hope you’re inspired by the photo which is of “Housetop Variations” by Loretta Pettway, 2003.

Mystery Stole Giveaway

Carrot Top Studio has the best clients! We appreciate all of the comments you made when entering the Mystery Stole giveaway. Some of your thoughts included--

You desire:

• stoles that tell stories
• more Celtic knot work designs on stoles
• additional nature designs
• a design with reformation symbols
• stoles with symbols depicting a labyrinth
• the healing hand of God depicted on stoles (we actually have had several limited editions of healing stoles and they always sell out--you'll see more of this theme!)
• a line of lower priced stoles (if you don’t know about it you should check out our eBay items for weekly bargains.

You like:

• our price points



• our commitment to ship within 24 hrs.



• the new line of stoles with the hand dyed silk from the small business in Haiti. We now have four designs in this series and we’re enjoying giving 50% of each sale back to the LaCroix Mission in Haiti.
  

Several clients suggested we expand our advertising. This is where we could use your help. If you have a publication, webring or other network that we could advertise in we’d love to hear your suggestion. Please email jenny.gallo@carrottopstudio.com or make comment to this post.

And now, the drum roll please….the winner of the MYSTERY STOLE is a pastor in Massachusetts and she has been notified via email. We have shipped this stole (as seen below). It was designed with the universal message of peace. Ironically the winner has the word “peace” in her email address!

Coffee Rituals

Do you have rituals or passions that help you move through your day? Like many of you, a cup of coffee is included in our routine at Carrot Top Studio. We tend to like a robust, full bodied brew. Something so full of flavor that we sit back and take a few cleansing deep breathes while enjoying it. Good for the mind, body and soul.

As one of the most heavily traded commodities in the world, coffee is a direct link between our community and farming communities in Latin America, Africa and Asia. We love purchasing our coffee from Equal Exchange (http://www.equalexchange.com/). By paying a fair price, working with democratic cooperatives, offering affordable credit and supporting sustainable agriculture, Equal Exchange helps farmers to build better lives for themselves and their families.

It’s finely hot and humid outside the studio. About 3:00 in the afternoon you can find us recharging for the rest of the day with a decaf Vietnamese Iced Coffee. We hope you’ll enjoy our version as follows.

Vietnamese Iced Coffee

2-3 teaspoons sweetened condensed milk
1 c. bold (such as French roast) coffee
Ice cubes, as needed

Put the condensed milk into a coffee cup. Stir to dissolve milk. Pour this mixture over ice in a beautiful glass and stir briskly with a long handled spoon, making an agreeable clatter with the ice cubes to chill the coffee.

Now go pour yourself a refreshing drink and if you haven’t entered the contest to win the Mystery Stole do it now! The clock is ticking! The winning entry will be drawn on August 10th and will be announced on the Carrot Top Studio blog! Go to

www.CarrotTopStudio.com and follow the directions under the “specials” page.

Artistic Expressions

Being in the midst of nature or seeing other artist’s work can be very inspiring for me. Who could argue with having both at the same venue? Therefore, last week we ducked out of the studio for a day to go visit Phipps Conservatory. The gardens are currently filled with larger-than-life glass sculptures and bowls by Dale Chihuly and his glassmaking team. These abstract natural forms with their exquisite, energetic colors added unbelievable beauty to the gardens.

Phipps describes this exhibit…“Right here in our lush and inspiring gardens, Chihuly has planted an exhibit of his wild and wonderful creations -- and the result is simply breathtaking. Known for his flamboyant colors, monumental sculptures and outdoor displays, Chihuly is also famous for his creative collaborations. Inspired by our Victorian glasshouse – one of the oldest in North America, this pioneer in the use of glass has joined with our horticulturalists and landscape designers to create a dazzling fusion of art and nature.” The show lives up to this description and much more.

I don’t think I’ve ever had a presentation of art touch me the way this show did. One of the thoughts that continually ran through my head was how Chihuly was able to use his glass art to supplement the already superb environment of the gardens. Even with the exquisite coloring of the glass the art always seemed to mingle happily with the environment. The art did not scream for attention. The plants were not shouting out because they were being ignored. The surrounding architecture was like the perfect packaging. This concept relates to our worship spaces. When wearing stoles, hanging worship banners, or even adding a flower arrangement to the chancel I believe it should only be done to enhance the worship that will occur in the space. These artistic expressions are best when they awaken us to God’s presence and not call attention to themselves. I appreciate how the Presbyterian Church phrases this concept in their Book of Order; “artistic expressions should evoke, edify, enhance, and expand worshipers’ consciousness of the reality and the grace of God.”

If you are in the Pittsburgh, PA area prior to this exhibit closing on November 11, 2007 you would be amiss not to treat yourself to the experience of a visit to the Chihuly exhibit at Phipps. In the meantime think about the space you worship in and encourage artists in their offerings. Lastly, see if you recognize some lines and shapes that echo the work of Chihuly at Phipps in new stoles designs at Carrot Top Studio!

You can learn more about Phipps at http://www.phipps.conservatory.org .