Monday, February 25, 2008

Some of Our Favorite Books for Lent



Last Supper Art by the editors of Phaidon Press. This book presents a sequence of over 100 images of the Last Supper. It demonstrates how each artist responded to the complex challenge of creating a convincing group of individual personalities and expressing their relationships with each other.







Palm Sunday Parade by Martha McKown. The impact of that first Palm Sunday parade will be remembered long after the use of this resource. All ages will recall both the joy and the sadness of that day's events. Church families will experience the rich joyous praise as they become involved in the narrative, the procession and hymn singing.



The Image of Christ by Gabriele Finaldi is a beautifully illustrated, colorful history of how Christ has been portrayed by artists from the early church to the present. the book explores the challenges Christian artists have faced as they have tried to imagine what Jesus looked like. Since no eyewitness descriptions of Jesus' physical appearance survived, the earliest artists' depictions of Christ played on the symbols and images that he used in his parables--such as the Good Shepherd, the Light, and the Vine. Later, artists became concerned with capturing Christ's true physical likeness, based on miraculous relics such as the cloth that Saint Veronica offered him on his way to Calvary, which was believed to be imprinted with an image of his face. These stages in the history of Christian art are described by several art historians in brief essays, each of which is lavishly illustrated.

Monday, February 11, 2008

Visual Reminders During Lent



In worship we use stoles, paraments, banners, flowers and other elements as visual reminders of the liturgical season we are celebrating. What can we do at home to help us focus particually during our Lenten journey?

Rober Fulgham in From Beginning to End: The Rituals of Our Lives suggests using sand. "Perhaps a bowl of sand can help us remember our journey. God led the people in their journey in the desert. Jesus himself reenacted that journey to face his own temptations. The desert can be a place of retreat, where there is a freedom from distractions. It can be a good place to be led and to face our temptations."

May you make time for desert days prior to the joy of Easter.



Monday, February 04, 2008

Donut Day

I can't wait for tomorrow morning when this granola and green tea loving Mom will surprise her children with a great excuse to eat donuts for breakfast! I grew up in a Dutchy area of Eastern Pennsylvania where Fausnaught Day (donut day) was celebrated with great gusto. The original purpose was to use up the baking ingredients in one's pantry before Lent, as these items were not to be consumed and would not stay fresh til the end of Lent.

Lent is a season of soul-searching and repentance. It is a season for reflection and taking stock. So even though I went to the store to purchase our donut treat instead of cleaning our my pantry I hope the sugary breakfast will lead us into a great discussion of how we can retreat into the wilderness with Jesus this season.

Wednesday, January 30, 2008

Purple for Lent


For the first millennium, little concentration was paid to creating fixed cycles of colors for the vestments and textiles that were related to particular seasons of the church year. Through the Middle Ages, most churches in Europe began developing and sharing traditions that associated certain days with certain colors. In 1570, when Roman authorities issued universal rules, these patterns differed from region to region and from parish to parish.


Today liturgical color continues to harmonize the message of the seasons and special days during the church year. Color allows us to see the Light of Life, Jesus Christ. The changing hues emphasize a specific "colorful" chapter in the life of our Lord and his church. We live this rhythm annually by the church calendar.


Frequent instruction about the church year and its corresponding colors must go hand in hand with its weekly use. For example, when thinking about the purples of Lent we are informed to know that violet or purple was a very cherished and expensive color in the world Jesus lived. The dye used to make the color was painstakingly acquired by massaging the neck of a Mediterranean shell fish that secreted a special fluid. It was therefore afforded only by the rich and worn most exclusively by the royalty.


Jesus, the king of the Jews, wore a purple robe only once. As the soldiers mocked and tormented him, the Scriptures record that they placed on him a "purple garment" in order to ridicule him and belittle the claim that he was a king.


Therefore, purple is used during this penitential season of Lent as a vivid reminder of the disrespect and ridicule he endured, and the subsequent sacrifice he made for our salvation. During Lent the purple of stoles, worship banners and other paraments should remind all Christians of their daily need to humbly give attention to leading a life of repentance.

Monday, January 28, 2008

Lent Banners

Our latest worship banners...headed to Chicago to help focus the congregation's worship on the season of Lent. The banner on the left represents the wilderness, reminding us of the forty days of withdrawal Jesus spent there. The banner on the right tells the story of Holy week. The palms are for Jesus' triumphal entry into Jerusalem, the rooster for Peter's denial, the nails and crown of thorns remind us of the crucifixion. Purple , the color of royalty is a reference to Christ the King. The variety of purples in addition to the black, red and gold remind us of the pain, suffering and passion that we remember as we pray, fast and are penitencial during this season.

Monday, January 21, 2008

It's Cold Outside!

Young visiting artist in the studio today...we decided it was too cold to go outside so she created snowflakes to dangle in our work space. We're delighted!

Tuesday, January 15, 2008

The Image of Jesus


The Finding of the Saviour in the Temple, Holman Hunt

January 20th and 27th from 9:45-10:45 I have been asked to speak about the "Image of Jesus" at Westminster Presbyterian Church, Upper St. Clair, PA and I am anxiously anticipating guiding the examination of many intriguing works of art.

The Bible doesn't tell us what Jesus looked like. So, how did our image of Jesus develop? Fairly early in history, he was shown as a man on the threshold of middle age, with brown to black hair and a beard, and an facade of sorrow and compassion. Beyond this, each age has produced its own deviation of the Jesus image to meet its own needs, projections and beliefs. The following is a little hint of what we'll look at...

The Gospels give us only one glimpse to satisy--or to pique--our curiosity about the childhood of Jesus. In Holman Hunt's Finding of the Saviour in the Temple, the incident narrated in Luke 2:41-52 epitomizes the ambivalance of his relation to the Jewish tradition. His parents find him seated among the teachers of the Mosiac law and confounding them with his questions and answers; but he gently rebukes the reproof of his parents by asking, "Did you not know that I must be in my Father's house?"--referring to the Jewish temple in the Holy City of Jerusalem.

If you are in the Pittsburgh area please feel free to attend. Additionally, worship at Westminster is at 8:30 or 11:00.

Wednesday, January 09, 2008

Baptism of Our Lord

This Sunday we will celebrate the baptism of our Lord in my congregation. Two baptism items come to our mind that we'd love to share with you. First, we love the hymn for this Sunday that is titled: Lord, When You Came to Jordan. The Presbyterian Hymnal Companion explains that the hymn focuses on Jesus' baptism and lifts up the tradition that suggests it was a moment of personal revelation as well as an outward sign of his mission. It asks questions concerning Jesus' inner life and then becomes a prayer on behalf of our being able to see God's work today. We just love when a story is told! We often convey a story in our stoles and worship banners and when we're in worship and the visual connects with the Word and the music the story really hits home!

Secondly, have you read Water, Come Down! The Day You Were Baptized by Walter Wangerin is beautifully illustrated by award-winning artist Gerardo Suzan? It is a wonderfully imagined story of God's power and love joined in the baptism event---a story that will grow richer in meaning each time the book is read. We appreciate that the author also provides several pages of excellent resources for family Bible study, exploring the scriptural sources behind his story and making the theological concepts both accessible and engaging.
What do you relish about the celebration of baptism?

Friday, January 04, 2008

Epiphany of the Lord

The Three Kings Altarpiece, Hans Baldung.


About the Artwork
Baldung was a German painter and graphic artist. He probably trained with Durer in Nuremberg, but his brilliant color, expressive use of distortion, and taste for the gruesome bring him closer in spirit to his other great German contemporary, Grunewald.

In 1507 Baldung was probably in Halle when he received the commission for the alterpiece, The Adoration of the Magi (Berlin). Although displaying some clumsiness, colors are surprisingly sure, and Baldung's self-esteem is revealed by the fact that he drew a self-portrait behind the main character at the center of the retable of Saint Sebastian. It is an oil on wood.

The Liturgical Celebration
This Sunday we celebrate the epiphany of the Lord. The word epiphany comes from the Greek noun epiphaneia, which means "shining forth," "manifestation," or "revelation." In the ancient Greco-Roman world, an epiphany referred to the appearance of one of the gods to mortals. Since Hellenistic kings and Roman emperors were considered by many to be gods, the word epiphany was also used as a term for divine majesty. The Epiphany of our Lord is the Christian festival that celebrates the many ways through signs, miracles, and preaching that Jesus revealed Himself to the world as Christ, God Incarnate, and King of kings.

The scripture: Matthew 2:1-12 In the time of King Herod, after Jesus was born in Bethlehem of Judea, wise men from the East came to Jerusalem, asking, "Where is the child who has been born king of the Jews? For we observed his star at its rising, and have come to pay him homage." When King Herod heard this, he was frightened, and all Jerusalem with him; and calling together all the chief priests and scribes of the people, he inquired of them where the Messiah was to be born. They told him, "In Bethlehem of Judea; for so it has been written by the prophet: 'And you, Bethlehem, in the land of Judah, are by no means least among the rulers of Judah; for from you shall come a ruler who is to shepherd my people Israel.'" Then Herod secretly called for the wise men and learned from them the exact time when the star had appeared. Then he sent them to Bethlehem, saying, "Go and search diligently for the child; and when you have found him, bring me word so that I may also go and pay him homage." When they had heard the king, they set out; and there, ahead of them, went the star that they had seen at its rising, until it stopped over the place where the child was. When they saw that the star had stopped, they were overwhelmed with joy. On entering the house, they saw the child with Mary his mother; and they knelt down and paid him homage. Then, opening their treasure chests, they offered him gifts of gold, frankincense, and myrrh. And having been warned in a dream not to return to Herod, they left for their own country by another road.

Looking at The Three Kings Altarpiece

  • What title would you give this work of art?
  • What types of colors has the artist used? Does the color remind you of a certain feeling?
  • Does everything in the artwork look equally important?
  • What would you say if you were to meet the Lord in person?

If you enjoyed this post then bookmark our new blog www.RelatingToArt.blogspot.com which strives to describe, analyze, and interpret art as it relates to religon with new posts at least once a week.




Sunday, December 23, 2007

Family Time


Something to think about as we enter a time spent with families to celebrate the newborn King...If someone placed a hidden camera in your home, what would they discover about your family's celebration? What evidence would they find that Jesus is Lord of your home?


Have a blessed Christmas!

Friday, December 21, 2007

The Nativity


“... Mary gave birth to her firstborn son and wrapped him in swaddling clothes and laid him in a manger, because there was no room for them in the place where travelers lodged.”


The Nativity became a favorite subject in Christian art by the 14th century. One of the reasons for this fascination with the scene was the devotion practiced by St Francis of Assisi. Around 1220 he celebrated Christmas by setting up the first presepio or crèche in the town of Greccio near Assisi. He used real animals to create a living scene so that the worshippers could contemplate the birth of the child Jesus in a direct way, making use of the senses, especially sight.


As a child my parents took me to see the elaborately, garnished 20' blue spruce at the Metropolitan Museum of Art that is surounded by a Baroque creche. It is dramatically displayed in the midst of the medieval sculpture hall. Today in my hometown of Pittsburgh, PA I enjoy carrying on the tradition of marveling at the presepio with my children at the Carnegie Art Museum. I particularly enjoy the fact that this elaborate, Neopolitan masterpiece is surounded by many large live evergreen trees decorated with handmade ornaments from different groups in the community. The old and very classic figures of the presepio are enveloped by contemporary art from professional artists, hobbyists and children...it is artistically the best of both worlds!


St. Francis was certainly savvy when he realized that worshippers would benefit from using their senses to better connect with the message. Today we carry on the the tradition with elaborate presepios but the message can be accentuated in simple ways. The light of candles (Christ was the light of the world), the use of the colors white and gold (purity and royalty), or congregants adding pieces of straw to a manger to help prepare the way can be just as powerful.

Monday, December 10, 2007

Things we love about Advent....

...listening to music for the season such as the above posted Carols by Benjamin Britten.

...lighting Advent candles each Sunday prior to our evening meal. Included in our candle lighting are short readings from the Bible and family prayers.

...making paper chains to helps us count the days--purple loops for Advent (a pink one for the third Sunday of joy), white for the 12 days of Christmas and green or gold for Epiphany. We rip the loops off the chain as each day passes to help the little ones “see” the passing of time.

...praying for the people that we receive greeting cards from each day.

...reading--this year in particular we are enjoying the Advent blog by
Jan Richardson. The rich artwork and text that is thought provoking and inspirational.

Tuesday, December 04, 2007

Just read...


Max Lucado's, The Christmas Candle. This sweet story is an easy, quick read yet you will savor the message of the mystery of faith and the wonder of love.


We loved these lines, "With passion. Your preaching could use some. A little puplit fire never burned a church, you know...." and "What are you afraid of, Reverend? Afraid the prayers won't be answered--or afraid they will?"

Tuesday, November 27, 2007

A Visit to the Art Museum



This past weekend I took pleasure in my inaugural visit to Harvard’s Fogg Art Museum in Cambridge, Mass. This museum, which opened to the public in 1895, is Harvard's oldest art museum. Around its enchanting Italian Renaissance courtyard are galleries illustrating the history of Western art from the Middle Ages to the present. The galleries particularly strong in Italian early Renaissance are a great reminder of how religious and liturgical symbols have been incorporated into visual art for centuries. I found the tempra and gold painting of Saint Catherine of Siena by Giovanni de Paola (as seen at left) particularly charming. History knows Catherine Benincasa as the persuasive mediator who negotiated peace between Florence and the papacy. In this portrait, St. Catherine of Siena appears with a sprig of lilies as a symbol of peace, and is wearing the black-and-white vestments of the Sisters of Penance of St. Dominic. Paolo’s graceful approach to Catherine of Siena is accentuated by her elongated figure.

The seasons ahead of Advent and Christmas can be so busy. I recommend you take time to pause and enjoy an art exhibit. There is something very theraputic about walking through the quiet of an art gallery, meditating on, contemplating about or simply enjoying what you see.

Need a gift idea? Enrich a life with the gift of an art museum membership!

Wednesday, November 21, 2007

Preparing for Christ the King Sunday


Christ the King is the last Sunday of the liturgical church year calendar. The day completes our annual journey of celebrating and learning from the life of Christ on earth. We can worship with confidence and joy that Christ is the King!

We can reflect upon: Praise to the Lord, the Almighty, the King of creation! O my soul, praise him, for he is your health and salvation! Let all who hear Now to his temple draw near, Joining in glad adoration! (Psalm 93).
Marking the kingship of Christ makes a healthy transition that leads directly from Ordinary Time into Advent and the remainder of the Christian year. So ignore the Christmas tunes on the radio and the decorations in the mall and recognize Jesus as the King of Kings.
*pictured stole is new to our collection and illustrates the "I Am" statements. The photo is a link to this item on our website.

Monday, November 19, 2007

Thanksgiving

Here in the United States we are preparing to celebrate Thanksgiving. At Carrot Top Studio we love this holiday because it is not terribly commercial. We can simply take the time to be reverent for the gifts of the earth at this harvest festival. Interestingly our American commemoration of the Pilgrim's feast might be a carry over from the European tradition of St. Martin’s Day which celebrates the end of the agrarian year and the beginning of the harvest.


Many faith communities gather on Thanksgiving Eve or Thanksgiving morn to worship. In addition to worship banners and minister’s stoles that represent the colors of a fall harvest, churches might enjoy the use of a cross created out of sheaves of wheat and offertory processions that include food items that can be distributed to those in need. Our home congregation includes the giving of five pieces of corn to each family. We take them home and place them on our table as a visual reminder of the hardships the Pilgrims endured. The story has been handed down that this faithful community of Pilgrims was able to be thankful to their Lord even on days when they only had five pieces of corn to eat.


I’ll close by sharing a favorite recipe that usually graces our Thanksgiving table:

Pumpkin Apple Bake
Clean out a medium pumpkin. Fill with a mixture of raisins, chopped apples, nuts, dates, cranberries, dried apricots, a small amount of brown sugar and cinnamon. The amounts are very flexible and you can use items that you enjoy that you might typically find in fall pies. Pour fruit and nut mixture into the pumpkin, dot with butter. Bake on a cookie sheet 1 hour 15 min.-1 hr. 30 min. The pumpkin will turn a lovely deep color and can be used as the center piece on your table for you to serve the wonderful warm fruit directly from.

And as Ralph Waldo Emerson said:

For each new morning with its light,
For rest and shelter of the night,
For health and food,
For love and friends,
For everything Thy goodness sends.
Thank you, Amen.

Wednesday, November 14, 2007

Life of the Mill Girls


In my spare time I enjoy quilting. I’m pleased to share that I have a quilt in a museum exhibition at the New England Quilt Museum in Lowell, Massachusetts. The show opens November 15th and sounds like it will be inspiring, delightful and diverse. This is our inaugural exhibition in a museum so we’re quite excited!
The New England Quilt Museum asked quilters to interpret how Lowell could inspire them to create in fabric. You can see my answer to this challenge in the photo. The corresponding artist statement reads:
I am a fiber artist. I have been sewing since I was old enough to lace a shoestring through a cardboard sewing card. Today I enjoy quilting for pleasure and sewing for my business that caters to pastors and churches. My work usually tells a story.
I find contentment in researching, contemplating and designing a new piece. Once I am comfortable with the design, I dive in and become very focused in the actual production.
“Inside the Life of a Mill Girl” grew out of reading about the young women who headed to work in the mills with great anticipation of how their lives would be changed. The symbols represent the bell that rang for every step of their grueling work schedule. The shuttle and the saw tooth borders symbolize the type of work that was performed amidst much machinery. The oil lamp stands for the dangerous working conditions in the mills. The promises made of a safe life with healthy meals and a regard for high moral standards are characterized in this quilt’s boarding house and church steeple. Lastly the steps of picking, carding, spinning, warping and weaving are graphically included to complete this piece.
The accomplishments, courage, and independence of the young mill girls are something we can learn from and be encouraged to apply to our lives today.

I think we can easily find inspiration in the story of the mill girls who went to work to earn money for their struggling farm families, tolerated work conditions that did not promote a joyful environment, yet diligently went to church, loved to read and appreciated the arts.

Thursday, November 08, 2007

For Your Bookshelf






For my birthday, my brother recently gave me a photograph of an ocean scene with a person walking on the beach. Upon opening the gift I pondered the symbolism of peacefulness one gets when walking on the beach, the imagery of water curing thirst and cleanliness, and a desire for retreat to the wilderness.

This makes me think of the history of Christian worship and how it is immersed in symbolism, beginning with the symbols from the Jewish scriptures such as the rainbow God gave Noah. Until modern times literacy was limited therefore worship depended upon signs and symbols to remind and teach and aid us with the mystery of God. Signs and symbols still serve this purpose today.

A book I often turn to while researching the design of minister’s stoles or worship banners is Worship Without Words by Patrica Klein. This little guide is a very helpful explanation of the liturgical calendar and the signs, symbols, gestures, vestments and architectural elements that accompany liturgy. You may also enjoy it for your bookshelf.