Art: A Gift From God

While searching for a new home church after we moved it was exciting to walk into the first congregation we visited to discover it had an art gallery. After fifteen years of volunteering in many different aspects of church life I am now preparing to become the new curator of this gallery space. It is not large, but it is at the main entrance of the building so it has the potential of impacting many people that walk through the doors. This gallery space should allow viewers to experience faith within a visual context.

I would love to hear from you if you have a gallery space in your church. Does it have a vision or mission statement? How do you find your artists? Do the artists display a written statement of faith or any other kind of written message about their connection between being and artist and being a Christian?

While doing prep work for this new task in my life I came across an article from a past issue of Presbyterians Today. I share with you a synopsis of the author, Danny Potts, ideas on how to incorporate the arts into your congregation’s life:

1. Arrange museum trips to teach Bible study and Sunday School groups to look theologically at art. For example, how would a study of the Exodus story inform and critique an exhibit of American art of the Old West? You might even call the museum ahead of time to arrange for a docent to collaborate with you in your exploration.


2. Set aside part of your church building as a gallery for changing exhibitions of work by artist in the congregation, community or a local college.


3. Invite members and friends to bring a brown bag lunch to an “Art lunch” and 30 minute program. Food, fellowship and half-an-hour on Leonardo da Vinci’s Last Supper or The Gleaners by Millet would make for a meaningful workday break.


4. Invite interested persons to gather each week to hear the text for the upcoming Sunday sermon and respond to it creatively, as a way of beginning their preparation for worship. If the hymns coordinate with the sermon text or the celebration that Sunday (you’d think they always should, wouldn’t you) add another dimension to the creative response by playing the music in the background as you work.


5. Plan a year with the Bible—in art. How have the stories of our faith been painted, drawn, sculpted, built? Spend a year studying art through the Bible and the Bible through art.


6. Establish a one-year Artist-in-Residence program, so that your congregation, or a group of congregations, experiences the gifts and creative opportunities of artists working in a variety of media.

God and art are intrinsically connected and we celebrate that truth together. We must encourage the visual arts in the life of the church today!

Columbus Day

Today, Americans celebrate Columbus Day, a holiday celebrating the arrival of Christopher Columbus to the Americas.

While taking pleasure in a new book, given to me by a friend that knows I enjoy the haunting lovliness of Shaker music, I came across the piece, "Christoper Columbus's March". The commentary by the editor, Christian Goodwillie is interesting--

The lyrics use maritime metaphors to make the comparison between Columbus's voyage of discovery and the committed Believer's lifelong voyage of spiritual discovery...Travelers on both journeys brave the unknown, yet like Columbus, the faithful Believer "shall safe embark, On Canaan's happy shore". The lyric describing the "rolling seas of time" is particularly poignant in its evocation of life's uncertainty, whether one lives within the faith or without."

The book Shaker Songs: A Celebration of Peace, Harmony, and Simplicity can be purchased on Amazon. It even includes a CD of traditional Shaker music with performances by the Boston Camerata!

A Knock at the Door

I love experiencing all different types of worship from Tenebrae, or contemporary, to funeral services and everything in between. On Friday our hometown of Pittsburgh, PA installed a new Catholic Bishop I was therefore very intrigued with the surrounding worship celebrations at St. Paul’s Cathedral.

For example, though he had walked through the same door countless times before, Bishop David A. Zubik could enter St. Paul Cathedral in Oakland on Thursday night only after knocking. Pondering this symbolic act that was foreign to me, I could think of several bits of Biblical references that might have inspired the tradition. First, to come to mind was the scripture from Matthew that says, "Ask and it will be given to you; seek and you will find; knock and the door will be opened to you. For everyone who asks receives; he who seeks finds; and to him who knocks, the door will be opened.” Also, Rev. 3:20, “Here I am! I stand at the door and knock. If anyone hears my voice and opens the door, I will come in and eat with him, and he with me.” The messages of these passages to persist in finding God and while also leaving the door to our hearts consistently open to God (personally and corporately) are ones we probably couldn’t hear often enough.

I little internet research explains that the knocking-on-the-door tradition dates to medieval Europe, when "chapters" of clergy independent of the bishop controlled the cathedral. Bishops had to knock to enter the churches. So the Rev. Donald P. Breier, St. Paul's rector and pastor, greeted Zubik as he crossed the door's threshold and welcomed him to the cathedral prior to the evening prayer service.

Carrot Top Studio creates stoles and worship banners so I initially was watching for the types of vestments, and stoles worn by the clergy in attendance. I also wondered if there would be worship banners in this grand space. Because I am fond of symbolism, I was also curious to watch for the presentation of the crozier. The symbolism of this pastoral staff that is carried by the Bishop links to Christ the Shepherd and is a visual reminder of the teaching the Bishop will do. While watching this three hour service on TV it was no surprise that there was much more observed and absorbed than I anticipated. I embraced the community that came together in this celebration and prayed with them for Christianity to grow within the city of Pittsburgh. Along with the Bishop, wherever we may be, may we continue to seek, find and knock.

Our newest banners

These 3' x 6' banners represent the "River of Life" and "Tree of Life". The river of life is referenced in Geneseis 2:10. After watering God's garden it was a source of four other rivers. Likewise Christ is the water of life flowing into the four corners of the earth. The tree of life is centrally located in the Garden of Eden (Genesis 2:9). Similarly Christ is centrally located in both the earthly and eternal life as told of in Revelations 22. A United Methodist church in Texas is using these banners to enhance worship during Ordinary Time. Find out how to commission banners specific for your church life here.

Inventory

At Carrot Top Studio we’ve been thinking about inventory.
Do you take inventory at your church? We can think of several
reasons why you might take inventory…from the serious to the crazy!



There is of course the spiritual gifts inventory. Why should we take one of these inventories? Since there is a limit on the time we can serve, we need to look for maximum effectiveness. Structuring our ministries around our giftedness will help us do that. Knowing where we are spiritually gifted will help us know where to put our focus, energy, and time. It will show us where we should plug into ministry.



The Barna group (their goal is to facilitate spiritual transformation) offers another type of inventory. It is a self-administered survey that church leaders can complete to evaluate how the habits of their church compare to the habits of the nation’s most effective churches. This might first occur to you as useless information but it can be a wonderful launch pad for discussion amongst your leadership.



When I was thinking about inventory I recalled the year my husband had the job of taking the inventory of the church silverware, plates, glasses etc. for a Williamsburg Christmas dinner. Thank goodness he has a jolly disposition because this type of inventory can be tedious!



Have you ever had to inventory your church membership records? You look for those that no longer live in the area or have moved to another church or aren’t worshiping anymore. This type of inventory certainly has be taken with great care so as not to offend anyone. You would still welcome someone that hasn’t graced your doorstep after many years astray wouldn’t you?



Advent is one of our busiest seasons and it’s only ten weeks away! So, Carrot Top Studio took an inventory this week. Now we’re sure of what we have available in stock and think we have a plan for filling in the holes. Our clients are always full of good ideas…any thoughts or suggestions?



Taking inventory has allowed our new old stock (NOS for short!) to be offered for sale on eBay this week (listings begin 9/20 and 9/22). Most of these designs will not be produced any more and we hope you will take advantage of the bargains!



Someone once said, “if it is important to you, it is worth documenting. If you don't feel it is worth documenting, then take another look at it.” Does this apply to church inventories? I leave you with that to chew on.

Color!

I am not Catholic so it has been interesting to learn that when the Pope visits a venue outside of the Vatican a Master of Ceremonies dictates the outer vestments worn by the Pope and others involved in worship.

It was delightful to stumble upon this photograph of the Pope recently in Austria. What a splash of color! I don't know what the Pope's message was while in this moment, but when I look at the vestments I feel joy, peace, rebirth and growth. Personally I yearn for the traditional colors of the liturgical calendar to mark the rhythm of worship, but during Ordinary Time I find it energizing and stimulating to see the use of other colors. I appreciate this freedom and spontaneity.

Interestingly a brief examination of the use of liturgical colors throughout church history quickly leads to the conclusion that no pattern of liturgical color is "correct" in and of itself. For over a thousand years the church gave little attention to the use of color. White vestments predominated. It was not until the twelfth century that schemes assiging colors to seasons and festivals began to appear in wealthier cathedrals, abbeys, and churches. We can appreciate our history while striving to continue to worship the Almighty Lord in ways that are most fitting for the moment.

*please forgive me if I've bungled any of the facts about the Catholic church. I would appreciate hearing from you if I need to stand corrected.

Poiema

It wasn't until recently that I started to challenge myself to learn new words and actually try to apply them in speech and writing. I wonder why it took 4+ decades to enjoy this activity? Regardless, I'm pleased to announce that I learned a new word today! I stumbled across an artist who calls her business Poiema. It is pronounced poy'-ay-mah. You probably use this word daily but, because I don't I got caught up in doing a little research.


It turns out that Poiema is a Greek word used in the New Testament for handiwork or work of art. It says that we are God’s creation. It is a referenece to Ephesians 2:10: "We are His work. He has made us to belong to Christ Jesus so we can work for Him. He planned that we should do this." He speaks here of grace, and not of nature: therefore if the works are ever so good, we should see what they are, and know that they are that way because of grace.



How exciting that each person is a beautiful gift. Everyone is welcome and their gifts are encouraged. Every single one of us is a masterpiece. So be it!



*artwork is the Vitruviun Man by Leonardo da Vinci. A little known fact...The Vitruvian Man is actually named for the man who created him, the Roman architect Vitruvius. Vitruvius, a proponent of the Sacred Geometry of Pythagoras, designed temples based on the proportions of the human body, believing them to be perfect. This perfection, wrote Vitruvius, was due to the fact that the extended limbs of a perfectly proportioned human fit into both the circle and the square.

Bats

We were very surprised to have a bat in the studio today!

I enjoy seeing the bats circle the tops of the pine trees at night but really didn't know how to handle this scared, little creature inside....especially as my daughter turned white because she was petrified.

After an animal control agent (I kid you not!) took care of the situation I had a jolt of a memory of a pastor in our church many years ago. Reverend was very tall and wore a black robe while preaching. He pronounced the benediction each Sunday by raising only one arm. We came to learn that when the pastor was young he first delivered a benediction with his wife-to-be in the pews whom immediately erupted in fits of silent laughter. It turns out that between the man's stature and the big black robe all his betrothed could think of, while he raised both arms at the end of worship, was that he just looked like a big old bat. Hence the forty year tradition with this wonderful man of only using one arm to deliver a benediction!

At Carrot Top Studio we work at and blog about the visual in the church today. Visual components such as banners and stoles certainly aren't created to make the congregation laugh. But, recalling our former pastor's story does make me sensitive to the fact that the visual can appear differently from different perspectives! How about you...any visuals that didn't work despite your good intentions in your church? I hope the reaction was laughter and nothing much worse. I'll sign off so I can make sure the screens and doors are secure so there will be no more unexpected guests in the studio today!

Beauty and Art at the Glen Workshop

Do you know about the Image and the Glen Workshop? They were featured this past weekend on a broadcast of Religion and Ethics Newsweekly, a national public television program produced by WNET Television in New York. The segment was recorded at the recent Glen Workshop, which was centered on the theme—“God of the Desert: Judaism, Christianity, and Islam through the Prism of Art.” Its purpose was to challenge Christian artists to discover how beauty and art might enable a better understanding of other religious traditions that trace their lineage back to Abraham.

The Religion and Ethics Newsweekly a national television program saw Image's mission and program as newsworthy and aired a segment about the Glen Workshop this past weekend.
The program will remain up on the RENW home page all week. To go to the Religion and Ethics Newsweekly home page, click here.

Inspiration From the Gee's Bend Quilts

Last weekend found the Carrot Top Studio staff in Baltimore to see the Gee’s Bend quilt exhibit at the lovely Walters Art Museum. The exhibition explored the impact of environment and traditional quilting techniques, and examined the structural patterns that appear to form the foundation of Gee's Bend quilt making. The quilts, whose patterns have been handed down through generations, display bold colors and an improvisational style that is reminiscent of 20th-century minimalist art.



Artistically, the distinctive and bold quilting style reminded me that simple is often better. The power and beauty of these quilts often comes from basic shapes in solid planes and subtle color choices. The quilts can be appreciated without the distractions of composition, theme and other elements of traditional quilting. The work has been stripped to what is essential.



The powerful American artistic quilting tradition of the women from Gee's Bend has been passed down through at least six generations to the present. The faith traditions of this community are just as strong. I don’t know how they have passed on their faith traditions but, I wonder if some of the following has been part of the families lives at Gee's Bend:

• bringing faith into the family's daily life...noticing God's fingerprint throughout the day.
  

• letting children experience the richness of worship...the sights, the smells, the sounds, the rhythm of the liturgy.

• teaching children the language of faith...the symbols, images, stories and songs.

The handing down of statements, beliefs, legends, customs, information, from generation to generation, especially by word of mouth or by practice is important. Today I am thankful for my family and others like the women of Gee's Bend who have gone before me.

We hope you’re inspired by the photo which is of “Housetop Variations” by Loretta Pettway, 2003.

Mystery Stole Giveaway

Carrot Top Studio has the best clients! We appreciate all of the comments you made when entering the Mystery Stole giveaway. Some of your thoughts included--

You desire:

• stoles that tell stories
• more Celtic knot work designs on stoles
• additional nature designs
• a design with reformation symbols
• stoles with symbols depicting a labyrinth
• the healing hand of God depicted on stoles (we actually have had several limited editions of healing stoles and they always sell out--you'll see more of this theme!)
• a line of lower priced stoles (if you don’t know about it you should check out our eBay items for weekly bargains.

You like:

• our price points



• our commitment to ship within 24 hrs.



• the new line of stoles with the hand dyed silk from the small business in Haiti. We now have four designs in this series and we’re enjoying giving 50% of each sale back to the LaCroix Mission in Haiti.
  

Several clients suggested we expand our advertising. This is where we could use your help. If you have a publication, webring or other network that we could advertise in we’d love to hear your suggestion. Please email jenny.gallo@carrottopstudio.com or make comment to this post.

And now, the drum roll please….the winner of the MYSTERY STOLE is a pastor in Massachusetts and she has been notified via email. We have shipped this stole (as seen below). It was designed with the universal message of peace. Ironically the winner has the word “peace” in her email address!

Coffee Rituals

Do you have rituals or passions that help you move through your day? Like many of you, a cup of coffee is included in our routine at Carrot Top Studio. We tend to like a robust, full bodied brew. Something so full of flavor that we sit back and take a few cleansing deep breathes while enjoying it. Good for the mind, body and soul.

As one of the most heavily traded commodities in the world, coffee is a direct link between our community and farming communities in Latin America, Africa and Asia. We love purchasing our coffee from Equal Exchange (http://www.equalexchange.com/). By paying a fair price, working with democratic cooperatives, offering affordable credit and supporting sustainable agriculture, Equal Exchange helps farmers to build better lives for themselves and their families.

It’s finely hot and humid outside the studio. About 3:00 in the afternoon you can find us recharging for the rest of the day with a decaf Vietnamese Iced Coffee. We hope you’ll enjoy our version as follows.

Vietnamese Iced Coffee

2-3 teaspoons sweetened condensed milk
1 c. bold (such as French roast) coffee
Ice cubes, as needed

Put the condensed milk into a coffee cup. Stir to dissolve milk. Pour this mixture over ice in a beautiful glass and stir briskly with a long handled spoon, making an agreeable clatter with the ice cubes to chill the coffee.

Now go pour yourself a refreshing drink and if you haven’t entered the contest to win the Mystery Stole do it now! The clock is ticking! The winning entry will be drawn on August 10th and will be announced on the Carrot Top Studio blog! Go to

www.CarrotTopStudio.com and follow the directions under the “specials” page.

Artistic Expressions

Being in the midst of nature or seeing other artist’s work can be very inspiring for me. Who could argue with having both at the same venue? Therefore, last week we ducked out of the studio for a day to go visit Phipps Conservatory. The gardens are currently filled with larger-than-life glass sculptures and bowls by Dale Chihuly and his glassmaking team. These abstract natural forms with their exquisite, energetic colors added unbelievable beauty to the gardens.

Phipps describes this exhibit…“Right here in our lush and inspiring gardens, Chihuly has planted an exhibit of his wild and wonderful creations -- and the result is simply breathtaking. Known for his flamboyant colors, monumental sculptures and outdoor displays, Chihuly is also famous for his creative collaborations. Inspired by our Victorian glasshouse – one of the oldest in North America, this pioneer in the use of glass has joined with our horticulturalists and landscape designers to create a dazzling fusion of art and nature.” The show lives up to this description and much more.

I don’t think I’ve ever had a presentation of art touch me the way this show did. One of the thoughts that continually ran through my head was how Chihuly was able to use his glass art to supplement the already superb environment of the gardens. Even with the exquisite coloring of the glass the art always seemed to mingle happily with the environment. The art did not scream for attention. The plants were not shouting out because they were being ignored. The surrounding architecture was like the perfect packaging. This concept relates to our worship spaces. When wearing stoles, hanging worship banners, or even adding a flower arrangement to the chancel I believe it should only be done to enhance the worship that will occur in the space. These artistic expressions are best when they awaken us to God’s presence and not call attention to themselves. I appreciate how the Presbyterian Church phrases this concept in their Book of Order; “artistic expressions should evoke, edify, enhance, and expand worshipers’ consciousness of the reality and the grace of God.”

If you are in the Pittsburgh, PA area prior to this exhibit closing on November 11, 2007 you would be amiss not to treat yourself to the experience of a visit to the Chihuly exhibit at Phipps. In the meantime think about the space you worship in and encourage artists in their offerings. Lastly, see if you recognize some lines and shapes that echo the work of Chihuly at Phipps in new stoles designs at Carrot Top Studio!

You can learn more about Phipps at http://www.phipps.conservatory.org .

Support a Womens Small Business in Haiti

Haiti is the poorest country in the Western hemisphere. The average yearly income per family is about $250. Haiti is plagued with unclean water, no medical care, no public transportation, no public education and unemployment.

Our faith community, Westminster Presbyterian (http://www.westminster-church.org) in Pittsburgh, PA has a relationship with the LaCroix New Testament Mission in Haiti. Recently, friends visited Haiti and taught a small group of young women from the mission to hand-paint silk. The group is known as La Femme de LaCroix (The Women of the Cross). They have now learned how to paint, process, package, and keep records for the project. The goal is to provide training for the girls, who also get tuition credit for the silk they produce. The mission receives the entire profit from the sale of the scarves made from this silk. We have purchased some of the exciting hand dyed silk to encourage the women of LaCroix in their small business and to include it in the design of a series of stoles for purchase through the Carrot Top Studio website.

Fifty percent of the sale of each stole will be given to support the ministry to this Haitian community to help it continue to grow to become healthy and strong. You may purchase one at CarrotTopStudio.com (http://http://mysite.verizon.net/vzeoro2y/id72.html)

To learn more about the ministry to the LaCroix New Testament Mission go to http://http://www.thomaschurch.org/index_files/Page987.htm

Something's Underfoot

When we think of textiles in our worship spaces we probably first think of pastor’s stoles, vestments, paraments for the Communion Table or worship banners. However, you can’t neglect that we often garnish our sanctuaries underfoot also. For example, Native Americans had special animal skins on which they prayed. Another illustration is the Muslim tradition of using prayer carpets to create an isolated space to concentrate in prayer. Additionally medieval Christians in the colder climates of northern Europe began dressing the floors of cold stone churches with vegetable fiber mats as well as fabric rugs. Instead of monotonous, wall-to-wall carpeting, a well-chosen, strategically placed carpet can add color, texture, and liturgical symbols to the room as it honors and defines a place for devotion in a holy place.

I have been thinking about these types of textiles while savoring the novel The Blood of Flowers by Anita Amirrezvani. The story takes place in 17th-century Persia where a 14-year-old woman believes she will be married within the year. But when her beloved father dies, she and her mother find themselves alone and without a dowry. With nowhere else to go, they are forced to sell the brilliant turquoise rug the young woman has woven to pay for their journey to Isfahan, where they will work as servants for her uncle, a rich rug designer in the court of the legendary Shah Abbas the Great. She learns the carpet trade, blossoming as a clever designer and talented knotter. This captivating tale is interwoven with traditional Iranian folktales, as well as fascinating details of the art of the Persian rug.

Amirrezvani’s piece of literature, based on historical fact, is rich in detail of symbols and colors important to the religion of her characters. Time and time again in history we see examples of how the visual components of our faith are important. Another example is the photo in this blog that shows details of a rather unusual "Daghestan" prayer rug. It’s interesting to note that the cross shapes (as familiar to Christians) abound in this piece - even in the border. I am not an expert but one researcher of this rug wonders if it had been woven by Armenian Christians. It is not difficult to imagine the entire piece as a work of Christian faith.

The visual in the church today continues to be important. Based upon their dependence upon the internet, game systems, and the TV our youth are being raised to respond to the visual. We should take a lesson from history and from what the young today are thriving upon and not ignore the space underfoot...even in worship!

Why Wear A Stole?

After worship this morning, my research and development team (that’s my family!) was brainstorming ideas for a new line of stoles and vestments. The ideas ranged from the silly to the sublime. Pastor’s stoles with miniature sparkling LED lights, a stole with a flashing “applause now” sign, stoles remembering saints such as Mother Theresa, and stoles respecting the earth's resources because they were made out of recycled fibers were among the suggestions.

All this fun brainstorming may find you asking yourself why pastors even wear stoles. We’ve learned several stories. Stoles first might have originated as a practicality. It’s believed they were something upon which to wipe one’s hands after receiving the offerings of the people at a time in the early church when offerings of produce, other food stuffs and various animal products as well as financial offerings were given.

Secondly, in the 10th century, priests were commanded to wear stoles as a badge of their calling, especially when traveling. They may even have had little bells on the ends so people would know when they were approaching.

Lastly, we think symbolically of a stole as a yoke. This reminds us of Matthew 11:28-30, “Come to Me, all who are weary and heavy-laden, and I will give you rest. Take My yoke upon you and learn from Me, for I am gentle and humble in heart, and you will find rest for your souls. My yoke is easy and My burden in light”.

What do you think? Does any of this history of pastor's stoles or brainstorming of new ideas grab you? If you’d like to share any ideas send us an email or better yet share the idea when you enter to win the free "Mystery Stole" at Carrot Top Studio. Go to

www.CarrotTopStudio.com and follow the directions on the Specials link.

Pueblo Style Cross

The cross is the most familiar religious symbol of Christianity. During the first two centuries of Christianity, the cross was rare in Christian iconography as it depicts a purposely painful and gruesome method of public execution. The Ichthys, or fish symbol, was used by early Christians. The Chi-Rho monogram, which was adopted by Constantine I in the fourth century as his banner was another Early Christian symbol of wide use.

In Christendom the cross reminds Christians of God's act of love and atonement in Christ's sacrifice at Calvary - "the Lamb of God who takes away the sin of the world." The cross also reminds Christians of Jesus' victory over sin and death, since it is believed that through His death and resurrection He conquered death itself.

The cross is often depicted in different shapes and sizes and in many different styles. The Pueblo style cross as seen on the pictured stole is based on one that was found among the Pueblo people, groups of Native Americans living in the Southwest. The crosses usually have a plain design and are made of silver. When Spaniards arrived in the Southwest and encountered the native peoples in the early sixtennth century, they erected tall crosses at each village. The Franciscan missionaries taught the Native Americans to revere the crosses. The priests traded or gave ornamental crosses to the people, believing that if the Native Americans wore the crosses, they were accepting the new religon. In most cases the Pueblo peoples had accepted the crosses only as ornaments and not as symbols of the religon associated with them. Over time, many Pueblo people were converted to Christianity, and they personalized the cross design with their own cultural interpretation.

*Like the stole in this photo? It can be found at http://mysite.verizon.net/vzeoro2y/id70.html

Creativity

Looking for a words to help you prepare for creativity to be appreciated or unearthed? We like the following and invite you to try it also...

Praise the Lord, I tell myself;

O Lord my God, how great you are!

You are robed with honor and with majesty;

you are dressed in a robe of light.

You stretch out the starry curtain of the heavens;

you lay out the rafters of your home in the rain clouds.

You placed the world on its foundation

so it would never be moved.

Mountains rose and valleys sank

to the levels you decreed.

Then you set a firm boundry for the seas,

so they would never again cover the earth.

(Psalm 104:1-3,5,8-9 NLT)

Thirsty for more? This Ordinary Time would be a time to work your way through the book The Creative Life, by Alice Bass. Find it on Amazon, here-- http://www.amazon.com/Creative-Life-Unearthing-Christian-Imagination/dp/0830811877/ref=sr_1_1/002-4613655-6949669?ie=UTF8&s=books&qid=1183941583&sr=8-1

Discover the creativity that God has for you!

*photo is a detail of a stole that can be viewed in it's entirety at (http://mysite.verizon.net/vzeoro2y/id45.html )

Recalling Patriotic Hymns

Tomorrow, in the United States, we will celebrate our country’s independence. I absolutely love celebrations and am particularly fond of the Fourth of July. Fireworks and relaxing time spent with good friends are highlights of this day for me. I usually conjure up visual images such as banners and stoles for special days within the year, but for the Fourth of July I hear the music of patriotic hymns dancing in my mind.

A favorite, “O Beautiful for Spacious Skies” by Katharine Lee Bates was written when her soul was stirred by the expansive earth below and the spacious skies above while hiking Pikes Peak in Colorado. She wrote, “It was there as I was looking out over the amber skies, that the opening lines of this text formed themselves in my mind.” Reportedly she immediately set to writing the hymn while in Colorado Springs.

I adore hiking the mountains and have had the pleasure of traveling to the top of Pikes Peak so I can relate to Ms. Bates reaction to her experience. There are many other places in this grand world that can provide those “mountain top moments”. I’m proud to be an American but after reading the history of this hymn I also think the wonderfully descriptive words it contains can be supplied for many places on this wonderful planet. Thanks be to the Creator.

Living in God's Time

Jesus teaches us through parables about the kingdom of God. For example, he uses the story of the mustard seed which grows into a large shrub. Likewise during Ordinary Time many churches use the color green for their stoles, vestments, and banners as an instructional reminder. Green is the color of growth and we can easily be stirred by nature to examine the multitude of variety there is within the hue and then carry this into the color within our sanctuaries. We are constantly inspired by Jesus's clever ways of teaching and using color and symbols is yet another way we can reach especially those that learn visually.

Additionally, as we grow to understand the kingdom of God I think of the questioning strategies that the Children and Worship (http://www.childrenandworship.org/ ) program uses. They teach the children to “wonder” to facilitate growth. For example:

• I wonder what the kingdom of God looks like in today’s scripture?
• I wonder why Jesus told this story?
• I wonder how I would have to change to live as Jesus tells us?
• I wonder what I can do this week to participate in the kingdom of God?

In the midst of this Oridnary Time enjoy the numerous greens, take time to wonder, and be encouraged to grow and lead others to do the same.

*The pictured Mustard Seed stole will be available on eBay (http://search.ebay.com/_W0QQsassZcarrottopstudioQQhtZ-1QQfrppZ50QQfsopZ1QQfsooZ1QQrdZ0?) beginning 6/28.

If you like these thoughts you may enjoy Living in God’s Time, by Margaret McMillan Persky.