A Unique Commission

Creation ©CarrotTopStudio, Jenny Gallo, 2017

One thing led to another. 

First a stole was purchased through our online stole. Several years later, upon ministering at a new church, a commission was entered into led by this same pastor. This project included stoles, Communion table cloths and paraments for the pulpit/lectern. The process became a collaboration as the Church year rolled along. With each new season we emailed back and forth our ideas, sketches and fabric swatches until a plan was ready to be executed in our Michigan studio. 

Just when we were mourning the end of the year long work we were thrilled to receive a request for a new piece of fiber art for the pastor's study. The parameters were to first have it fit a 46 x 56" space. Secondly the pastor thought maybe the rich illuminations of the St. John's Bible would be able to provide inspiration. We did some cartwheels at this news and dug in to make plans!

The resulting piece (above) has a creation theme based on the words in the book of Genesis. The use of batik fabrics add depth to the work. The story art is told through appliquéd images and symbols and is accented by sheer fabrics, metallic textile paint and free motion embroidery details. The finishing touch was the machine quilting done by Jane Clark of Jane Quilts. The wavy quilt lines move from open/fluid to tight/closed to add to the energy of the creation story. 

As we recently traveled to a mini-vacation on the east coast we were passing by the pastor's church so had the honor of unveiling the work face to face. This is a rare treat and it was wonderful to be able to talk about the art and see it in situ. 

Artist Jenny Gallo and patron Reverend Dr. Trent Hancock examining the art. 

Image description, left to right:

1. heaven and earth/light and dark
2. sky and sea
3. land and vegetation
4. stars and moon
5. life in water and birds
6. creatures on dry land, and
7. rest

A look behind the scenes ... Stitching a favorite detail, the preying mantis.

Art in place -- Glenshaw Presbyterian Church, Glenshaw, PA

We remain thankful for this relationship and body of work. 

Has this intrigued you? Seeking a commission? Email Jenny. 

*photo credit Ian Gallo

Italy! You Inspired Us!

We recently had the pleasure of traveling through a bit of Italy. The amount of inspiration made our mind spin! That's a good thing though. Right? Showing you some pictures will help me describe this experience:

The symbol of the pomegranate as "the church" has always been intriguing to us. Apparently it was over a thousand years ago also! We spied it on the church of San Pietro in Bologna. This encourages our love of using symbols in our fiber art at Carrot Top Studio.

Day after day the attention to details were impressive. It was in the way food was plated. We experienced it in how purchases were wrapped by shop owners. And in the many churches we visited the details were just so immense. These photos are from some of the columns in the crypt in the Duomo in Modena. Each column had a different topper! The artists that have gone before us encourage me to stretch creatively in our attention to detail. 

This was a detail of a front door in Florence. Wow! The craftsmanship! And of course we're drawn to this favorite flower of ours, the sunflower. Artistically the sunflower is interesting as it can represent "the son" or as a reminder of worship as it has a habit of following the sun as it grows. 

In Modena we stepped out of our church and museum visiting schedule to experience the art of some of the foods of this area. One stop found us learning from a balsamic vinegar farmer. The process and time it takes to make this product was fascinating but it was most touching to hear about the barrels of vinegar that were labeled with names. It takes 25 years to make balsamic vinegar and you need a starter of completed vinegar to begin a new batch. The farmer starts a barrel each time a grandchild is born. This enables the child to have their own vinegar and also the possibility of creating new product and income. My take away? Family and tradition is valuable and patience to wait (25 years!) for a worthy products pays off. 

There was light. The candlelight. The light over the farm fields as the sun rose and set. The clever church architecture to allow for light before there was electricity. And the light in the personalities of the Italian people we met as they showed great hospitality. 

The icons and niches and faith symbols that were scattered everywhere. This Mary was on the island of Murano outside of Venice. The island is known for it's hand blown glass artists. Interesting to note that Mary is wearing beaded necklaces here! But seriously, coming home I've been looking for symbols and details and inspiration in my everyday paths. I am missing things like turning a corner and stumbling upon a Mary such as this.  

The old and new can combine successfully! The ruins of the Palatino are currently dotted with art by contemporary artists. It works. It made me think of coexistence and acceptance.

This is part of the 85,000 square feet of mosaics in St. Marks Basilica in Venice. Each one of the tiles is the size of a contact lens. Un-be-lievable! The artists have my utmost respect. 

And even the treats like gelato were inspirational. The colors, presentation and variety were simply (sweetly) sensational. 

And last but certainly not least I'm guessing most people don't visit Italy to go fabric shopping. But I'm always curious how it's done in other places. The stores were so pristine and tidy.

We could have stayed in Italy so much longer as we only scratched the surface of this lovely place with so much history. But we're back in the studio and trying to apply what we absorbed into our life. We'll let you know when this touches our art with new products on the website! 

Do You Know: The origin of the stole

The stole was first known as orarium a term derived from the Latin oro or "to pray." The change in name from orarion to stola took place in the ninth century but it wasn't until the 12th century that the new name "stole" became generally used. By the 16th century the stole had become a badge of the bishops, priest and deacons each of whom wore it over the shoulder in their own distinctive way.

The orarium was originally nine or ten feel long and a uniform two to three inches wide. We often worry about clergy that order Carrot Top Studio stoles that seem to be really long for fear that they'll trip going up the chancel steps. How did they walk while wearing these long stoles in the 12th century? In later years stoles were of a tapered shape and were sometimes finished with fringe or little bells. Pope Innocent III gave a religious significance to the stole, which was originally a secular garment, by calling it the "easy yoke of Christ."

At the end of the Middle Ages, the stole became altered to a shorter, wider shape with an excessive splaying at the ends. Today's trend of a narrower stole became current in the early part of the twentieth century. 

Today, in our studio, we see the stole to be a visual link to the Word. We thoughtfully move through the design process of choosing colors and symbols that might assist your ministry. And as the stole in throughout the ages, our stoles (and photography skills!) have evolved over the years. 

Left to right: Our first stole sold on eBay,
one of our first commissioned stoles, and the newest stole on our website.

*Thanks to Textile Art in the Church by Marion P. Ireland for this history

Our Favorite Blogs

We can learn and be inspired by reading. Therefore, today I thought I'd share some of our favorite blogs that we follow that pertain to Carrot Top Studio. Maybe they will inspire you for a bulletin cover, arts group within your church or feed your own artistic soul.

Artists-

• Susie Lubell is an illustrator. We like her whimsical style and dedication to her faith.
• West of Here takes and shares the most stunning photographs and has the ability to hone in on what is most interesting. 
• Julie Lonneman has an amazing way of sharing what she believes in her graphic art.
• "Love God, Serve Others, Make it Beautiful!" is the motto of Valorie Sjodin who moves me with her detailed drawings (and her motto!)

Christian Art Associations chalk full of resources-

• Mount Tabor 
• Episcopal Cafe
• Christians in the Visual Arts

Stitching inspiration-

• artists Karin Birch and  Claire Wellesley-Smith both stimulate my desire to add hand stitching to our stoles. Stay tuned to see if we progress in this direction!

Fabric inspiration-

• A Stitch in Dye because she's got great style. 
• Anna Maria Horner juggles a business, a family and also writes about her family's faith heritage. She also demonstrates how to mix patterned fabrics together. I appreciate all of that.
• Artfabrik for fabric dying advice and igniting a desire to do so. 
• Erin Wilson Quilts proves that you can make images simplified with fabric...something we have to think about when sewing on 5" widths.

And these help remind me of what is real-

• Out of the Dust & Us reminds me of the world that is outside of my studio in Michigan. The added bonus is seeing the batik fabric of the clothes in their community. 
• Cast Your Net uses art to help illustrate his sermons and his messages from the pulpit usually have a way of getting me to think twice.
• For my home and kitchen I read the Radical Homemaker. I appreciate the way she is raising her family.

And then after a day in the studio I often unwind with a recipe inspired by Food 52. The creating goes on and on and on!

**p.s. The Feedly app makes following these blogs very easy. Maybe you'd like to add Carrot Top Studio to your feed? Wink. Wink.

Sharing: A New Commissioned Stole Is Complete!

We recently completed a stole for a seminarian preparing for Ordination. She sought a piece that would reflect where she lived and served in Peurto Rico.It was fun to start with her own sketch and photos. When I work on a stole like this it makes me appreciate the many years as a young woman that I studied watercolor painting. As a general rule when you use watercolors you start with what is furthest in the background and work your way forward. This is because once the paint is down it can't be removed and it is not easily gone over. The commissioned stoles that we do that are like "story stoles" with a lot of appliqued pieces need to be figured out in this logical type of sequencing. It's a bit of a puzzle in the beginning but with careful planning it comes together nicely. Interesting how one opportunity from your past prepares you for the future! We've just completed the sketch for another story stole. You'll hear more about that this summer. #PCUSA #GA222 (spoiler alert :))

*Note 1-we love learning new things (especially about plants and food) and were pleased to be introduced to the seagrapes that are the large leaf plant with the interesting, clustered fruit. 

*Note 2-we had special permission to use the PCUSA seal, this one time