Showing posts with label unique stole. Show all posts
Showing posts with label unique stole. Show all posts

Monday, October 22, 2018

Advent Clergy Stole created from Unique Fabric Technique

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Taking fabric and combining it with more fabric and then deconstructing it to make it into a new piece of "fabric" is something we love to do. The strips in the top left image are how our latest Advent stole started out. The strips were purchased as a suggested combination by the manufacturer. They sell them all rolled up and call them 'jelly rolls' .... who could resist!? Follow the link below to see the results of this stole. We are pleased with it's uniqueness and the little bit of gold in the fabric designs provides just the right amount of extra.

About our Clergy Stole Business: Top three questions

Here are the answers to our most frequently asked questions. If this doesn't answer all of your questions do't hesitate to contact us at jenny.gallo@CarrotTopStudio.com or 412-480-4193. 
What length stole should I order?

There is no set rule as it depends upon your ministry style and whether you wear a robe or not. The best scenario would be to have someone help you use a cloth tape measure to measure from the back center of your neck to the edge of where the hem would be on one side of the stole. Or know that a 49" stole falls at the knee cap of a 5' 4" person with a thin frame and then gauge accordingly.
How long does shipping take?

Shipping is 2-3 business days within the USA via USPS Priority mail. Orders are fulfilled Monday-Saturday unless otherwise noted in the website announcement bar. Expedited 1-2 day shipping via USPS is an alternative option at checkout.
What if I don't see what I need on your website?

Don't hesitate to ask if there is a stole you like but it's not the correct length. We might be able to remake the stole in a longer length or hem a stole that is not short enough.

OR if you if an idea for a stole that is not in our current collection we would be glad to consider adding it as a limited edition to the website or creating it as a one of a kind commission. Email us here.

Monday, June 25, 2018

A Commissioned Stole for the PCUSA

For the fourth time Carrot Top Studio has been asked to create the moderator stole for the PCUSA General Assembly. The stole traditionally depicts the host city for the General Assembly, the seal of the denomination and a visual connection to the General Assembly theme. It's always a fun creative challenge for us!
Pittsburgh, Detroit and Portland


The Office of the General Assembly presents each new moderator with a stole to mark their moderatorial office which is kept by the moderator as a witness of their ministry after the term is completed.  


The prominent features in this year's design are a fleur-de-lis which calls attention to the French background of the early city of St. Louis. Additionally, the water lines are a symbol for growth. The convergence of the Missouri and Mississippi Rivers allowed for growth of our nation.  Lastly, the representational people surrounding the cross reminds us of the Church working together called to be a witness.

On the back tip, which joins the two branches of the stole, a dove descends as the traditional symbol of the Holy Spirit. The images harmoniously offer a message of the 223rd General Assembly, “Renewing the Vision: Kindom building for the 21st century.”

The stole is a visible symbol that the Moderator and the commissioners are the continuing community of the 223rd General Assembly until the 224th assembly convenes. We wish many blessings to the newly elected co-moderators Rev. Cindy Kohlman and Ruling Elder Vimarie Cintron-Olivieri. (photo cred. Rev. Ruth Faith Santana-Grace)

Friday, January 29, 2016

Sharing: A New Commissioned Stole Is Complete!

We recently completed a stole for a seminarian preparing for Ordination. She sought a piece that would reflect where she lived and served in Peurto Rico.It was fun to start with her own sketch and photos. When I work on a stole like this it makes me appreciate the many years as a young woman that I studied watercolor painting. As a general rule when you use watercolors you start with what is furthest in the background and work your way forward. This is because once the paint is down it can't be removed and it is not easily gone over. The commissioned stoles that we do that are like "story stoles" with a lot of appliqued pieces need to be figured out in this logical type of sequencing. It's a bit of a puzzle in the beginning but with careful planning it comes together nicely. Interesting how one opportunity from your past prepares you for the future! We've just completed the sketch for another story stole. You'll hear more about that this summer. #PCUSA #GA222 (spoiler alert :))

*Note 1-we love learning new things (especially about plants and food) and were pleased to be introduced to the seagrapes that are the large leaf plant with the interesting, clustered fruit. 

*Note 2-we had special permission to use the PCUSA seal, this one time


Tuesday, April 08, 2014

Visual Connections in Worship: Easter Sunday and the Season of Easter

How do you make a visual connection in worship beyond vestments, paraments and worship
This Easter joy stole
may be seen in full here.

banners during the Easter season? One way is to show that the message of Lent and Easter are interconnected. For example, if you have displayed a crown of thorns don't remove it from your worship space but simply add blossoms of white lilies as a symbol of the Resurrection. Additionally instead of removing Lent banners and cloths just add draping of white fabrics over them. Allowing some of the purple to show will remind us that Easter is the continuation of the story.


If you've used prayer stations or stations of the cross during Holy Week how can you include some of that imagery on Easter Sunday? Maybe you make the connection just by simply keeping the worship space darkened as services begin on Easter morning. A slow transition of adding light to the space will heighten the celebration of the Resurrection. This sort of "adding to" could occur with the musicians also. A musical worship team might begin with just one person in leadership and as worship is entered into the different musicians would become incorporated into their roles. The use of images on the big screen, so ever present today in many worship spaces, can also go from simple to complex, or black and white to full color to emphasize our entering into a season of joy, light and hope. 

Moreover, the expanse of lilies and other fresh flowers on Easter Sunday are often quite extraordinary and uplifting symbols of new life. But what carries the joy for the remaining fifty days until Pentecost? Maybe the choir sings from a different location than normal or there is drama incorporated into the worship because these are visual in addition to auditory components. The trick is to keep it simple so that new and different elements don't become entertainment to the point of the worshipers loosing site of why we are all gathered. Lastly, it is always wise to educate either verbally, through a children's moment or in print in the worship bulletin as to why something is new or different. Anything we can do to help the alleluias of Easter proclaim Christ's victory over sin and death will only deepen our great hope.